{"title":"Territorio liberado: la producción artística femenina en el Montevideo del Novecientos","authors":"D. Tomeo","doi":"10.29192/claeh.39.1.3","DOIUrl":null,"url":null,"abstract":"artista. Abstract This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20 th century, reveal-ing the logics as well as the places from which the society of the time enabled the participation of women in the field of","PeriodicalId":40608,"journal":{"name":"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29192/claeh.39.1.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ECONOMICS","Score":null,"Total":0}
引用次数: 0
Abstract
artista. Abstract This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20 th century, reveal-ing the logics as well as the places from which the society of the time enabled the participation of women in the field of
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