Talking Bach in an Age of Social Justice

M. Whale
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引用次数: 11

Abstract

Abstract:Increasingly, issues of social justice have become the concern of educators. It is clear, however, that these issues are not concerning for everyone. Awareness of social justice exists in critical relationship to society: it is not synonymous with it. In my paper, I argue that the contemporary relationship society has with social justice is not new. A sense of social justice–of equality–existed in critical tension with eighteenth-century conventions, even if the scope of this tension was far more limited than today. Some say classical music mirrors the values of the society of its production. It follows that classical music may mirror the dialectical relationship between convention and critique–that it may not only present conventional sound patterns but also be critical of them. As self-critical, music (all music) nurtures the ability of its participants to think critically. Ironically, then, I suggest that classical music has contributed to people's capacity to critique classical music.
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在社会正义时代谈论巴赫
摘要:社会公正问题日益成为教育工作者关注的问题。然而,很明显,这些问题并不是每个人都关心的。社会正义意识存在于与社会的关键关系中:它不是社会的同义词。在我的论文中,我认为当代社会与社会正义的关系并不是新的。社会正义感——平等感——与18世纪的传统存在着批判性的张力,即使这种张力的范围比今天要有限得多。有人说,古典音乐反映了其产生的社会价值观。由此可见,古典音乐可能反映了传统与批判之间的辩证关系——它可能不仅呈现传统的声音模式,而且对它们也持批判态度。作为自我批判,音乐(所有的音乐)培养参与者批判性思考的能力。具有讽刺意味的是,我认为古典音乐促进了人们批判古典音乐的能力。
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1.60
自引率
10.00%
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期刊最新文献
Opening Up to the Unexpected: Reclaiming Emotion and Power in the Public Space of Music Education 中国音乐教育与国际音乐教育 [Chinese Music Education and International Music Education] by Jianhua Guan (review) Music for All or Partisan Advocacy? Exploring Socialized Epistemologies Musik–Vielfalt–Integration–Inklusion: Musikdidaktik für die eine Schule [Music–Diversity–Inclusion–Integration: A New Philosophy of Music Education for an Inclusive School] by Irmgard Merkt (review) Editorial Reflections on Philosophizing in Music Education
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