Motifs of homosexuality in Virginia Woolf’s Orlando

Q4 Arts and Humanities Ars Aeterna Pub Date : 2021-12-01 DOI:10.2478/aa-2021-0012
Nina Kellerová, Eva Reid
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Abstract

Abstract To avoid the stigma of societal dissaproval, love for somebody of the same sex has often been hidden from the declinatory views of the public; however, it has also been secretively transcribed into a broad spectrum of art. Virginia Woolf embroidered her homosexuality into the grotesque lines of Orlando. At the time, Woolf was engaged in an intense lesbian relationship with author Vita Sackville-West, who served as a model for the work’s main character. Woolf proclaimed her masterpiece “A Biography”, mirroring the duality of her own and Vita’s character, the perpetual beauty of the book’s hero, enduring for centuries, and his subtle gender transition. In the paper, we discuss some of the homosexual motifs in Orlando, which were formed by different influences, including the queer movement, ancient Greek literature and feminism.
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弗吉尼亚·伍尔夫《奥兰多》中的同性恋主题
摘要为了避免社会不和谐的耻辱,对同性的爱往往被隐藏在公众的不和谐观点之外;然而,它也被秘密地转录成了一个广泛的艺术领域。弗吉尼亚·伍尔夫将她的同性恋融入了奥兰多的怪诞线条中。当时,伍尔夫与作家维塔·萨克维尔·韦斯特(Vita Sackville West)有着密切的女同性恋关系,后者是该作品主角的模特。伍尔夫宣布了她的杰作《传记》,反映了她自己和维塔性格的双重性,书中英雄的永恒之美,持续了几个世纪,以及他微妙的性别转变。本文讨论了奥兰多的一些同性恋主题,这些主题是受酷儿运动、古希腊文学和女权主义等不同影响而形成的。
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来源期刊
Ars Aeterna
Ars Aeterna Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
6
期刊介绍: The multidisciplinary journal focused on the questions of art and its importance in the contemporary world for the development of culture, mutual understanding, and the human Self.
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