ROKOPISNE PESMARICE – MED RELIGIOZNIM IN LJUDSKIMMANUSCRIPT SONGBOOKS: BETWEEN RELIGIOUS AND FOLK

Q1 Arts and Humanities Traditiones Pub Date : 2019-06-28 DOI:10.3986/traditio2019480204
Marjeta Pisk
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引用次数: 1

Abstract

Rokopisne pesmarice so pomemben, a premalo upoštevan vir raziskovanja cerkvenih in ljudskih nabožnih pesmi ter procesa ponarodevanja avtorskih pesmi. V članku so analizirani vzroki za nezanimanje raziskovalcev za to področje in predstavljene dileme žanrskega razmejevanja v rokopisnih pesmaricah, v katerih so zapisane tako avtorske cerkvene kot ljudske pesmi. Vprašanja razmerij med institucionalno religioznim in ljudskim dopolnjujejo prepletanja med pisnim in ustnim.***Manuscript songbooks as a very important source have only partly been taken into account in research on church songs and religious folk songs and in the process of folklorization of art songs. This article analyzes the reasons for researchers’ lack of interest of in this topic, and it presents the problems of genre demarcation in manuscript songbooks, which contain both church songs and folk songs. Discussion of the relations between institutional religious and folk elements are complemented by the interplay between written and oral material.
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ROKOPISNE PESMARICE&宗教与民间的对话
手写诗是研究教会和民间宗教歌曲以及混淆作者歌曲的过程中一个重要但被忽视的来源。本文分析了研究者对这一领域缺乏兴趣的原因,并提出了手稿诗中体裁界定的困境,其中既有原始教堂诗,也有民歌。*手稿歌本作为一个非常重要的来源,在教堂歌曲和宗教民歌的研究以及艺术歌曲的民俗化过程中只得到了部分的考虑。本文分析了研究者对这一主题缺乏兴趣的原因,并提出了既有教堂歌曲又有民歌的手稿歌曲集的流派划分问题。对制度性宗教和民间元素之间关系的讨论得到了书面和口头材料之间相互作用的补充。
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来源期刊
Traditiones
Traditiones Arts and Humanities-Music
CiteScore
1.40
自引率
0.00%
发文量
12
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