Critical Thinking: Obligation to Inquiry

IF 1.3 Q3 PSYCHOLOGY, CLINICAL Art Therapy Pub Date : 2021-07-03 DOI:10.1080/07421656.2021.1970417
Jordan S. Potash
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When at one point an audience member asked for his opinion on a matter, he uttered one phrase that has continued to reverberate in my mind: “Don’t outsource your critical thinking to me ... in a republic, the people are responsible.” Coates is a consummate researcher who makes intricate connections among history, systemic racism, and current events. If there is anyone who I might defer to, it would be him. Yet, here was a renowned social and political scholar reminding an audience to judge information for themselves. Even though it is difficult to classify and assess, critical thinking has been conceived as a process more so than a product (Lamont, 2020). For example, Samson (2021) highlighted the holistic integration of personal values and lived experience with established theories and reputable evidence that can result in purposeful undertakings. Many definitions emphasize two components—critique and critical perspectives. Kirschner (2011) differentiated these functions as being critical-in, grounding in scientific methods, and critical-about, applying social justice and emancipatory viewpoints. In addition, Teo (2011) mandated both reflexivity and self-reflexivity; the former involves a staunchness to question others, whereas the latter demands a curiosity about one’s position—no matter how open-minded an individual supposes to be. When brought together, critical thinking involves seeking information from a variety of sources, subjecting material to analysis based on multiple perspectives, reviewing social justice implications, and scrutinizing one’s own stance. To hone critical thinking, art offers a potent tool. Creativity enhances critical thinking in the pursuit of discovering meaning (Dumitru, 2019) and can be a means to tempering authority and absolute certainty (Ho & Ho, 2008). As art therapists know, art making can disrupt an artist’s presumptions by fostering opportunities for introspection, experimentation, and provocations. Likewise, art viewing can challenge an audience member’s assumptions, preconceptions, and expectations. As much as art can be degraded for propaganda, it can be uplifted for truths. Breaking down Coates’s comment offers implications for critical thinking in art therapy. The edict “don’t outsource” speaks to making a personal commitment to pursuing knowledge. For art therapists, appropriate skepticism is important for evaluating information for their clients and selecting trainings for professional development. In their review of strategies for assessing best practices and new interventions in psychotherapy, Meichenbaum and Lilienfeld (2018) advised practitioners to adopt “a well-calibrated sense of self-confidence—one that balances appropriate self-assurance with healthy selfdoubt” (p. 23). Critical thinking calls for the stance of a cynical optimist or skeptical believer. Art therapists can put some of their trust in vetted sources, such as reliable news sites, known social media presences, erudite colleagues, and reputable publications. However, too much trust may be an indicator that individuals have forfeited their obligation to inquiry. The component of “the people are responsible” defends against authoritarian attempts to quash independent thought, free press, and schools of thought that challenge the status quo. Holdo (2018) identified three necessary citizen types. The virtuous citizen is focused on engagement and the trustworthy one is engrossed with rules. However, the critical citizen seeks to gain multifaceted knowledge and help others to do so, as well. 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Abstract

After we finished our sandwiches in the car, Cheryl Doby-Copeland and I quickly made our way to the front of the museum. We figured we would be among the first there, so we were disappointed when we discovered 40 people already ahead of us. In the crisp warmth of mid-October, 2017 in Washington, DC, we waited on the sidewalk as more people joined the line. When the doors finally opened we hurried to find a seat in the immense atrium of the National Museum of African American History and Culture to listen to Ta-Nehisi Coates talk about his newly published book, We Were Eight Years in Power: An American Tragedy. In typical fashion, Cheryl and I continuously looked up at him, commented to each other, and scribbled notes. When at one point an audience member asked for his opinion on a matter, he uttered one phrase that has continued to reverberate in my mind: “Don’t outsource your critical thinking to me ... in a republic, the people are responsible.” Coates is a consummate researcher who makes intricate connections among history, systemic racism, and current events. If there is anyone who I might defer to, it would be him. Yet, here was a renowned social and political scholar reminding an audience to judge information for themselves. Even though it is difficult to classify and assess, critical thinking has been conceived as a process more so than a product (Lamont, 2020). For example, Samson (2021) highlighted the holistic integration of personal values and lived experience with established theories and reputable evidence that can result in purposeful undertakings. Many definitions emphasize two components—critique and critical perspectives. Kirschner (2011) differentiated these functions as being critical-in, grounding in scientific methods, and critical-about, applying social justice and emancipatory viewpoints. In addition, Teo (2011) mandated both reflexivity and self-reflexivity; the former involves a staunchness to question others, whereas the latter demands a curiosity about one’s position—no matter how open-minded an individual supposes to be. When brought together, critical thinking involves seeking information from a variety of sources, subjecting material to analysis based on multiple perspectives, reviewing social justice implications, and scrutinizing one’s own stance. To hone critical thinking, art offers a potent tool. Creativity enhances critical thinking in the pursuit of discovering meaning (Dumitru, 2019) and can be a means to tempering authority and absolute certainty (Ho & Ho, 2008). As art therapists know, art making can disrupt an artist’s presumptions by fostering opportunities for introspection, experimentation, and provocations. Likewise, art viewing can challenge an audience member’s assumptions, preconceptions, and expectations. As much as art can be degraded for propaganda, it can be uplifted for truths. Breaking down Coates’s comment offers implications for critical thinking in art therapy. The edict “don’t outsource” speaks to making a personal commitment to pursuing knowledge. For art therapists, appropriate skepticism is important for evaluating information for their clients and selecting trainings for professional development. In their review of strategies for assessing best practices and new interventions in psychotherapy, Meichenbaum and Lilienfeld (2018) advised practitioners to adopt “a well-calibrated sense of self-confidence—one that balances appropriate self-assurance with healthy selfdoubt” (p. 23). Critical thinking calls for the stance of a cynical optimist or skeptical believer. Art therapists can put some of their trust in vetted sources, such as reliable news sites, known social media presences, erudite colleagues, and reputable publications. However, too much trust may be an indicator that individuals have forfeited their obligation to inquiry. The component of “the people are responsible” defends against authoritarian attempts to quash independent thought, free press, and schools of thought that challenge the status quo. Holdo (2018) identified three necessary citizen types. The virtuous citizen is focused on engagement and the trustworthy one is engrossed with rules. However, the critical citizen seeks to gain multifaceted knowledge and help others to do so, as well. Instead of indoctrination, the self-reflective posture encourages confrontations that calibrate reproach with prudence in order to “avoid the weaponization of suffering that prevents constructive healing” (Ross, 2019, para. 18). Critical thinking provides art therapists with the means for engaging introspection and honoring
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批判性思维:探究的义务
我们在车里吃完三明治后,Cheryl Doby Copeland和我迅速走向博物馆的前面。我们以为我们会是第一批到达那里的人,所以当我们发现已经有40人在我们前面时,我们很失望。2017年10月中旬,在华盛顿特区温暖的天气里,我们在人行道上等待,越来越多的人加入了队伍。当大门终于打开时,我们匆忙在美国国家非裔美国人历史文化博物馆的巨大中庭找到了一个座位,听塔内希西·科茨谈论他最新出版的书《我们掌权八年:美国悲剧》。以典型的方式,Cheryl和我不断地抬头看着他,互相评论,并潦草地写下笔记。有一次,当一位观众询问他对一件事的看法时,他说出了一句话,这句话一直在我脑海中回响:“不要把你的批判性思维外包给我……在一个共和国,人民有责任。”科茨是一位完美的研究者,他将历史、系统性种族主义和时事之间建立了复杂的联系。如果有谁是我可以听从的,那一定是他。然而,这里有一位著名的社会和政治学者提醒观众自己判断信息。尽管很难进行分类和评估,但批判性思维被认为是一个过程,而不是一个产品(Lamont,2020)。例如,Samson(2021)强调了个人价值观和生活经验与既定理论和可靠证据的整体整合,这些理论和证据可以导致有目的的事业。许多定义强调两个组成部分——批判和批判性视角。Kirschner(2011)将这些功能区分为批判、立足于科学方法,以及批判、应用社会正义和解放观点。此外,Teo(2011)规定了自反性和自反性;前者要求坚定地质疑他人,而后者则要求对自己的立场保持好奇心——无论个人认为自己多么开明。综合起来,批判性思维包括从各种来源寻求信息,基于多个角度对材料进行分析,审查社会正义的含义,仔细审视自己的立场。为了磨练批判性思维,艺术提供了一个强有力的工具。创造力在追求意义的过程中增强了批判性思维(Dumitru,2019),并可以成为调和权威和绝对确定性的一种手段(Ho&Ho,2008)。正如艺术治疗师所知,艺术创作可以通过培养反省、实验和挑衅的机会来打破艺术家的假设。同样,艺术观看可以挑战观众的假设、先入为主的观念和期望。尽管艺术可以因为宣传而被贬低,但它也可以因为真理而被提升。对科茨的评论进行分解,为艺术治疗中的批判性思维提供了启示。“不要外包”的法令表明了对追求知识的个人承诺。对于艺术治疗师来说,适当的怀疑对于为客户评估信息和选择专业发展培训很重要。Meichenbaum和Lilienfeld(2018)在评估心理治疗最佳实践和新干预措施的策略综述中,建议从业者采用“一种经过良好校准的自信感——一种平衡适当的自我保证和健康的自我怀疑的自信感”(第23页)。批判性思维需要愤世嫉俗的乐观主义者或持怀疑态度的信徒的立场。艺术治疗师可以在一定程度上信任经过审查的来源,如可靠的新闻网站、知名的社交媒体、博学的同事和声誉良好的出版物。然而,过多的信任可能表明个人已经丧失了调查义务。“人民有责任”的组成部分为反对专制主义者压制独立思想、新闻自由和挑战现状的思想流派的企图辩护。Holdo(2018)确定了三种必要的公民类型。有道德的公民专注于参与,值得信赖的公民则专注于规则。然而,挑剔的公民寻求获得多方面的知识,并帮助他人做到这一点。自我反思的姿态不是灌输,而是鼓励对抗,谨慎地校准指责,以“避免将痛苦武器化,阻止建设性的治愈”(Ross,2019,第18段)。批判性思维为艺术治疗师提供了进行内省和致敬的手段
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来源期刊
Art Therapy
Art Therapy PSYCHOLOGY, CLINICAL-
CiteScore
2.90
自引率
23.10%
发文量
27
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