Case Study: Differential Effects of Melody and Rhythm in Melodic Intonation Therapy

T. Whetstone, S. Kim, C. Reynolds, Emily Deeves
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Abstract

Evidence has been well accumulated for more than two centuries that a patient with non-fluent, or Broca’s, aphasia secondary to a left hemisphere stroke is able to sing songs and words (e.g., Marina, Pasqualetti, & Carlomagno, 2007; Mills, 1904, Gerstmann, 1964, Stahl, Kotz, Henseler, Turner, & Geyer, 2011). The rationale behind this evidence relies on neuroplasticity that a patient’s intact right hemisphere, known to play an important role in processing steady-state spectral information and slowly changing aspects of the auditory-signal (e.g., prosodic contours and sustained vowels), may stimulate the damaged left hemisphere responsible for integrating auditory information across shorter intervals of time (Naeser & Helm-Estabrooks, 1985; Sparks & Deck, 1994; Zatorre & Belin, 2001; Zipse, Worek, Guarino, & Shattuck-Hufnagel, 2014). This clinical observation has led to a variety of singing-based therapeutic techniques such as Melodic Intonation Therapy (MIT; Albert, Sparks, & Helm, 1973; Helm-Estabrooks, Nicholas, & Morgan, 1989; Sparks, Helm, & Albert, 1974; Wan, Ruber, Hohmann, & Schlaug, 2010). Techniques of MIT include sequentially training a patient to sing The purpose of the current observational study was to explore differential effects of melodyonly condition and rhythmic left-hand tapping-only condition in Melodic Intonation Therapy, when accompanied with formulaic words or phrase and slow rate. The participant included a 77-year-old, monolingual, non-Hispanic, Caucasian male with severe Broca’s aphasia enrolled at a university clinic. The independent variable was the individual component of MIT, with two conditions: (1) melody only and (2) rhythm and left-hand tapping only. The dependent variable was percentage accuracy of the participant’s ability to repeat a list of targets (i.e., pre-selected formulaic words/phrases). An alternating treatment design over two treatment phases was used in the present study. The percentage of nonoverlapping data was calculated by dividing the number of treatment sessions exceeding the highest data point during baseline sessions by the total number of treatment sessions. Results indicated that melody-only condition was a fairly effective treatment while rhythm and left-hand tappingonly condition was an unreliable treatment. The participant had difficulty following rhythm and left-hand tapping possibly due to a rhythm-processing deficit. Motivation and mood effect of singing in unison might positively influence the accuracy of repetitions in the participant. Limitations of the study were discussed.
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个案研究:旋律与节奏在旋律语调治疗中的不同作用
两个多世纪以来积累的证据表明,左半球中风继发的不流利或布罗卡失语症患者能够唱歌和说话(例如,Marina, Pasqualetti, & caromagno, 2007;Mills, 1904, Gerstmann, 1964, Stahl, Kotz, Henseler, Turner, & Geyer, 2011)。这一证据背后的基本原理依赖于神经可塑性,即患者完好的右半球在处理稳态频谱信息和缓慢变化的听觉信号方面(例如,韵律轮廓和持续元音)起着重要作用,可能会刺激负责在较短时间间隔内整合听觉信息的受损左半球(Naeser & helm - estooks, 1985;Sparks & Deck, 1994;Zatorre & Belin, 2001;Zipse, workk, Guarino, & Shattuck-Hufnagel, 2014)。这种临床观察导致了各种基于歌唱的治疗技术,如旋律语调疗法(MIT;阿尔伯特,斯帕克斯和赫尔姆,1973;Nicholas helm - estrooks & Morgan, 1989;斯帕克斯,赫尔姆,艾伯特,1974;Wan, Ruber, Hohmann, & Schlaug, 2010)。麻省理工学院的技术包括顺序训练患者唱歌。本观察性研究的目的是探讨在旋律语调治疗中,只有旋律条件和有节奏的左手轻拍条件在伴以程式化词语或短语和慢速时的不同效果。参与者包括一名77岁、单语、非西班牙裔、患有严重布洛卡失语症的白人男性,他在一所大学的诊所登记。自变量是MIT的单个组成部分,有两个条件:(1)只有旋律,(2)只有节奏和左手敲击。因变量是参与者重复目标列表(即预先选择的公式化单词/短语)的能力的百分比准确性。在本研究中采用了两个处理阶段的交替处理设计。非重叠数据的百分比是通过将基线期间超过最高数据点的治疗次数除以总治疗次数来计算的。结果表明,仅旋律组是相当有效的治疗方法,而仅节奏和左手敲击组是不可靠的治疗方法。参与者在跟随节奏和左手敲击方面有困难,可能是由于节奏处理缺陷。齐声歌唱的动机和情绪效应对被试重复的准确性有正向影响。讨论了本研究的局限性。
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来源期刊
Clinical Archives of Communication Disorders
Clinical Archives of Communication Disorders Health Professions-Speech and Hearing
CiteScore
0.50
自引率
0.00%
发文量
9
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