American ‘Goddess of Mercy’ in the Nanjing Massacre: Minnie Vautrin and the Afterlife of Her Wartime Diary

IF 0.3 3区 文学 0 LITERATURE Life Writing Pub Date : 2022-10-13 DOI:10.1080/14484528.2022.2125852
Pingfan Zhang
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Abstract

ABSTRACT This article examines the life and diary of the ‘American Goddess of Mercy’—Minnie Vautrin, who managed an all-women refugee camp during the notorious Nanjing Massacre in China. Starting with a concise biography of Vautrin, this article probes her embodiment of cross-cultural identities and pioneering role in Chinese women’s educational reform. In particular, I highlight the dual function of her wartime diary and how her descriptions of sexual violations unveiled the convoluted gender and racial power politics in the refugee camp. For the past few decades Vautrin’s diary has inspired a myriad of literary and cinematic works featuring the Nanjing Massacre transnationally. I examine the afterlife of Vautrin’s diary by mainly focusing on the characterisations of Vautrin and Chinese heroines in a constellation of novels and films which manage to reimagine stories out of the silence, gaps, and aporia in her diary. I contend that such a way of writing out of silence and fissures in Vautrin’s life writings revisits the American Goddess of Mercy myth and gives voice to the violated Chinese women who are usually marginalised in official historical discourse.
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南京大屠杀中的美国“观音”:米妮·沃特林及其战时日记的来龙去脉
摘要本文探讨了“美国慈悲女神”米妮·沃特林的生平和日记,她在中国臭名昭著的南京大屠杀期间管理着一个全女性难民营。本文从韦特琳的一本简明传记入手,探讨她在中国女性教育改革中所体现的跨文化身份和开拓性作用。我特别强调了她战时日记的双重功能,以及她对性侵犯的描述如何揭示了难民营中错综复杂的性别和种族权力政治。在过去的几十年里,沃特林的日记激发了无数以南京大屠杀为主题的跨国文学和电影作品。我通过主要关注一系列小说和电影中对沃特林和中国女英雄的刻画来审视沃特林日记的来生,这些小说和电影设法从她的日记中的沉默、空白和混乱中重新想象故事。我认为,这种在沃特林生活作品中的沉默和裂缝中写作的方式,重新审视了美国的观音神话,并为那些在官方历史话语中通常被边缘化的被侵犯的中国女性发声。
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来源期刊
Life Writing
Life Writing LITERATURE-
CiteScore
0.80
自引率
25.00%
发文量
38
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