Lagerfeld, Fashion, and Cultural Heritage

IF 0.2 4区 文学 N/A LITERATURE ENGLISH LANGUAGE NOTES Pub Date : 2022-10-01 DOI:10.1215/00138282-9890835
R. Garelick
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引用次数: 1

Abstract

Abstract:When Karl Lagerfeld took over the Maison Chanel in 1983, its founder, Coco Chanel, had been dead for twelve years, and the iconic brand was foundering. Once the epitome of French glamour, history, and feminine luxury, the house was rapidly losing prestige and relevance. Lagerfeld revived the brand through a complex reinterpretation of its iconography, its founder’s persona, and especially its relationship to French identity and patrimoine culturel—cultural patrimony. His reign at Chanel amounted to a de facto commentary on nationality, personality, style, and gender, demonstrating how history and politics get filtered and expressed through fashion.
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拉格菲尔德、时尚与文化遗产
摘要:当Karl Lagerfeld于1983年接管Maison Chanel时,其创始人Coco Chanel已经去世12年,这个标志性品牌正在衰落。这座房子曾经是法国魅力、历史和女性奢华的缩影,但它正在迅速失去声望和相关性。拉格菲尔德通过对其肖像、创始人形象的复杂重新诠释,尤其是其与法国身份和遗产文化(文化遗产)的关系,复兴了该品牌。他在香奈儿的统治实际上是对国籍、个性、风格和性别的评论,展示了历史和政治是如何通过时尚过滤和表达的。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
13
期刊介绍: A respected forum since 1962 for peer-reviewed work in English literary studies, English Language Notes - ELN - has undergone an extensive makeover as a semiannual journal devoted exclusively to special topics in all fields of literary and cultural studies. ELN is dedicated to interdisciplinary and collaborative work among literary scholarship and fields as disparate as theology, fine arts, history, geography, philosophy, and science. The new journal provides a unique forum for cutting-edge debate and exchange among university-affiliated and independent scholars, artists of all kinds, and academic as well as cultural institutions. As our diverse group of contributors demonstrates, ELN reaches across national and international boundaries.
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