Performing Normal: Restless Reflections on Music’s Dis/Abling Potential

Pub Date : 2022-09-01 DOI:10.1093/mtp/miab015
C. Bruce
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引用次数: 1

Abstract

This analysis aims to bring disability issues and the realities of systemic ableism to the center of discourse and action related to music therapy and social justice. An account of my evolving understanding of how ableism shaped my relationship with music draws attention to the importance of understanding the subtle yet palpable ways that ableism can invade even the most positive aspects of disabled peoples’ lives and, therefore, contribute in disturbing ways to the perpetuation of normalcy as the human ideal. I begin by providing some essential context to center my activist disability identity and the struggle that underpins the current analysis. I then engage with the performance of normal and explore my discovery of disability as possibility—a discovery that ultimately made space for significant transformation. An explanation of critical disability studies and ableism as important transformative influences follows, and I conclude by articulating some possible implications for music therapy education and training, research, and practice.
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表演正常:对音乐的消解潜力的不安思考
这一分析旨在将残疾问题和系统性残疾主义的现实带到与音乐治疗和社会正义相关的话语和行动的中心。我对残疾歧视如何影响我与音乐的关系的理解不断演变,这一过程让我注意到理解残疾歧视微妙而明显的方式的重要性,残疾歧视甚至可以侵入残疾人生活中最积极的方面,因此,以令人不安的方式促进了作为人类理想的常态的延续。我首先提供了一些基本的背景,以我的活动家残疾身份和支撑当前分析的斗争为中心。然后,我投入到正常的表现中,探索我对残疾的发现作为一种可能性——这一发现最终为重大转变创造了空间。以下是对批判性残疾研究和残疾主义作为重要变革影响的解释,最后,我阐明了音乐治疗教育和培训、研究和实践的一些可能的含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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