Built of Earth: The Casona and Vernacular Earthen Architecture in Oaxaca, Mexico

IF 0.2 3区 艺术学 N/A THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI:10.3138/ctr.191.002
Zoë Heyn-Jones
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Abstract

Abstract:This article discusses Built of Earth, an artistic research project by the author in collaboration with Mexico City-based architect Octavio Castro Gallardo. The work-in-progress—an experimental documentary project consisting of a short film, a publication, and a site-specific installation—explores the restoration of Castro Gallardo’s 200-year-old adobe family home in the town of Jamiltepec, Oaxaca, Mexico, that was damaged by an earthquake that shook the Pacific coast in February 2018. This article situates the restoration of the Casona within the discourses of vernacular earthen architecture and performance studies, describing how, in addition to being the site of various cultural performances, the Casona itself performs cultural memory. Heyn-Jones discusses the relationships—among humans, more-than-humans, and other actants—that permeate and haunt the adobe walls of this spectacular ruin. Heyn-Jones’s essay offers a provisional discussion of local seismic cultures, aspects of architectural material culture that reactively or preventively resist earthquake damage, and the way these manifest in the Casona. In contrast to the centuries-old adobe Casona are the concrete-block dwellings that surround it and that are ubiquitous across Mexico. This article situates this vernacular within the discourse of the ‘remittance house’ and discusses the materialities and temporalities of these ‘dream houses’ in the context of the Casona. Finally, this article offers some thoughts on architectural animism and how it might manifest in the Casona, this singular dwelling, built of earth.
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地球建造:墨西哥瓦哈卡的卡索纳和乡土地球建筑
摘要:本文讨论了作者与墨西哥城建筑师Octavio Castro Gallardo合作的艺术研究项目“建造地球”。这项正在进行的工作是一个实验性的纪录片项目,由一部短片、一本出版物和一个特定地点的装置组成。该项目探索了卡斯特罗·加拉多位于墨西哥瓦哈卡州贾米尔特佩克镇的200年前的土坯家庭住宅的修复,该住宅在2018年2月太平洋海岸的地震中受损。本文将卡索纳的修复置于乡土土建筑和表演研究的话语中,描述了除了作为各种文化表演的场所外,卡索纳本身是如何进行文化记忆的。海恩·琼斯讨论了人类之间的关系,而不是人类和其他行为体之间的关系——这些关系渗透并困扰着这片壮观废墟的土坯墙。海恩·琼斯的文章暂时讨论了当地的地震文化,建筑材料文化中反应性或预防性抵抗地震破坏的方面,以及这些在卡索纳的表现方式。与有数百年历史的土坯Casona形成对比的是它周围的混凝土砌块住宅,这些住宅在墨西哥随处可见。本文将这种白话置于“汇款之家”的话语中,并讨论了这些“梦想之家”在卡索纳语境中的物质性和时间性。最后,本文对建筑万物有灵论提出了一些思考,以及它如何在卡索纳这座由泥土建造的独特住宅中表现出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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