Towards a Precise Calculation of the Total Intended Duration of Luciano Berio’s Sequenza VII for Solo Oboe

O. Barrier, C. Panebianco
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引用次数: 3

Abstract

Abstract The score of Luciano Berio’s Sequenza VII for solo oboe exhibits a strict and definite temporal space, yet most performers do not manage to perform the work within the prescribed time. The score is presented as a matrix with thirteen lines and columns and each line undergoes a temporal compression. The impetus of this practitioner-based study was driven by a need to find a method of performing the unusual time increments and to be as close as possible to the composer’s intent regarding the temporal grid. The aim of this study was to investigate and demonstrate a method of calculating and performing the intended duration of Sequenza VII so that the performance realises the absolute duration intended by Berio. Two methods were used to calculate the total duration of the composition. The result of the precise calculation of the predetermined total duration of Sequenza VII is six minutes and thirty seconds, and therefore refines the results of previous explorations of this subject by other scholars.
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对卢西亚诺·贝里奥的双簧管独奏第七曲总预期持续时间的精确计算
卢西亚诺·贝里奥的第七部双簧管独奏曲的乐谱有着严格而明确的时间空间,但大多数演奏者都无法在规定的时间内完成作品。分数以13行13列的矩阵形式呈现,每一行都经过时间压缩。这种基于从业者的研究的推动力是需要找到一种执行不寻常的时间增量的方法,并尽可能接近作曲家关于时间网格的意图。本研究的目的是调查和演示一种计算和执行Sequenza VII的预期持续时间的方法,以便表演实现Berio预期的绝对持续时间。采用两种方法计算合成总持续时间。对《Sequenza VII》预定总时长的精确计算结果为6分30秒,完善了前人对这一课题的研究结果。
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