Travel Beyond Stars: Trauma and Future in Mojisola Adebayo’s STARS

Renzo Baas
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Abstract

Abstract The article explores Mojisola Adebayo’s two-hander STARS (preliminary workshop performance, Ovalhouse, 2018) through the lens of Afrofuturism. The play will be discussed in regard to future-making technologies. By analysing the overt as well as subtle references to science fiction and its tropes, this article lays out how Afrofuturism informs the play and how it is formative in liberating the main character. Furthermore, questions of violence against women, forms of resistance, and the function of the imagination will be examined. Adebayo deftly weaves Afrofuturist concerns into the everyday experiences of marginalised groups who face discrimination and exclusion, irrespective of whether their marginalisation is based on culture, gender, or age. Through this, the play offers ways of dealing with bodily and historical trauma and exclusion, while simultaneously addressing violent and harmful practices and power relations. The play may be set in the present and deals with current issues, but its performance of the future – in regard to resistance and liberation – proves to be its central feature.
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超越星星的旅行:莫吉索拉·阿德巴约《星星》中的创伤与未来
摘要本文通过非洲主义的视角探讨了Mojisola Adebayo的双手STARS(初步研讨会表演,Ovalhouse,2018)。该剧将在未来制作技术方面进行讨论。通过分析对科幻小说及其比喻的公开和微妙引用,本文阐述了非洲主义是如何影响这部剧的,以及它是如何在解放主角方面形成的。此外,还将审查对妇女的暴力行为、抵抗形式和想象力的作用等问题。阿德巴约巧妙地将非洲主义者的担忧融入了面临歧视和排斥的边缘化群体的日常经历中,无论他们的边缘化是基于文化、性别还是年龄。通过这一点,该剧提供了处理身体和历史创伤和排斥的方法,同时解决暴力和有害行为以及权力关系。这部剧可能以现在为背景,处理当前的问题,但它对未来的表现——关于抵抗和解放——被证明是它的中心特征。
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来源期刊
CiteScore
0.80
自引率
40.00%
发文量
20
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