Netflix in Mexico: An Example of the Tech Giant’s Transnational Business Strategies

IF 2.4 2区 文学 Q1 COMMUNICATION Television & New Media Pub Date : 2022-02-25 DOI:10.1177/15274764221082107
Rodrigo Gómez, Argelia Erandi Muñoz Larroa
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引用次数: 9

Abstract

Netflix, as a tech company, is currently the largest global streaming platform challenging traditional US studios. This article analyses Netflix’s transnational business strategies disrupting such status quo by focusing, on one local example: Mexico. Literature on Netflix has identified some of the transnational strategies studied here, this article adds to the discussion the use of local elements to infiltrate the power hub of Hollywood. By using the holistic scope of Political Economy, this research presents an integrated examination of: (a) the structural conditions of the Mexican audiovisual system in which Netflix is immersed; (b) the tech company’s expansion strategies; (c) the case of the movie Roma as a pivot-like tactic to push forward different company goals. The article argues that Netflix, by setting a new form of audiovisual circulation through innovation technology, has understood the key areas to break the audiovisual market value chain allowing it to gain global dominance.
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墨西哥网飞:科技巨头跨国商业战略的一个例子
作为一家科技公司,Netflix目前是全球最大的流媒体平台,对传统的美国电影公司构成了挑战。本文以墨西哥为例,分析了Netflix打破这种现状的跨国商业战略。关于Netflix的文献已经确定了这里研究的一些跨国战略,本文增加了利用本土元素渗透好莱坞权力中心的讨论。通过运用政治经济学的整体范围,本研究对以下问题进行了综合考察:(a) Netflix所处的墨西哥视听系统的结构条件;(b)科技公司的扩张策略;(c)电影《罗马》(Roma)作为推动公司实现不同目标的关键策略的案例。文章认为,Netflix通过创新技术设置了一种新的音像流通形式,了解了打破音像市场价值链的关键领域,从而获得了全球主导地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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