Seeing differently

IF 0.5 Q1 HISTORY Public History Review Pub Date : 2022-12-06 DOI:10.5130/phrj.v29i0.8199
Lee Davidson
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Abstract

Mountains are central to how New Zealanders see themselves as a nation and the image that they project to the world. At the same time, Māori have been engaged in a long-running campaign seeking acknowledgement of the mana of their maunga, the return of their tūpuna names and new partnership models for conservation management. This article explores elements of the past that have made this struggle necessary, in particular the role of mountain imagery created by Pākehā during the nineteenth century, when Aotearoa’s mountains were used to construct a vision of a ‘new’ country in the minds of those ‘at home’. Colonists represented the mountains as untrodden and uninhabited, and set about renaming and mapping them. By the 1870s, the appropriation of mountains as a cultural landscape for tourism saw a proliferation of images that promoted European ways of seeing mountains, while Māori relationships to their maunga were often framed as quaint or romantic myths and legends. Tracing this history helps to better understand the  present need for cultural resress and highlights the need for public history that better acknowledges and communicates colonial constructions of mountains and their legacy.  
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山脉是新西兰人如何看待自己作为一个国家以及他们向世界展示的形象的核心。与此同时,Māori一直在进行一项长期的运动,寻求承认他们的蒙加的mana,归还他们的tūpuna名称和保护管理的新伙伴关系模式。这篇文章探讨了使这场斗争成为必要的过去的因素,特别是在19世纪Pākehā创造的山脉意象的作用,当时奥特罗阿的山脉被用来在那些“在家”的人的脑海中构建一个“新”国家的愿景。殖民者将这些山脉描述为无人踏足和无人居住的,并开始重新命名和绘制它们。到19世纪70年代,将山脉作为文化景观用于旅游,看到了大量的图像,这些图像促进了欧洲人看待山脉的方式,而Māori与他们的蒙加的关系通常被视为古雅或浪漫的神话和传说。追溯这段历史有助于更好地理解当前对文化压力的需求,并强调对公共历史的需求,以更好地承认和传播殖民建筑的山脉及其遗产。
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审稿时长
52 weeks
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