Institutional Polymorphism: Diversification of Content and Monetization Strategies on YouTube

IF 2.4 2区 文学 Q1 COMMUNICATION Television & New Media Pub Date : 2022-07-11 DOI:10.1177/15274764221110198
Jacob Ørmen, Andreas Gregersen
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引用次数: 4

Abstract

Through guidelines, terms of service and algorithmic curation, digital platforms such as YouTube encourage creators to produce content that fits with the commercial goals of the platform. Scholars have argued that this pressure to conform might lead to uniformity, or isomorphism, in the ways organizations manage their presence on platforms. This article contributes to the debate on isomorphism by taking a bottom-up approach and ask to which extent creators on YouTube pursue similar, or different, strategies for uploading and monetizing content. Through quantitative and qualitative analyses of a sample of YouTube channels, we show how content creators adapt to, negotiate with, and defy institutional pressures. In the end, we find greater support for diversification, that is, polymorphism, than concentration in the ways organizations manage their presence on the platform. This has implications for how we understand platform power and integrate institutional theories in communication research.
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制度多态性:YouTube内容的多样化与盈利策略
通过指导方针、服务条款和算法策划,YouTube等数字平台鼓励创作者制作符合平台商业目标的内容。学者们认为,这种一致性的压力可能会导致组织管理其在平台上存在的方式的一致性或同构性。本文采用自下而上的方法,询问YouTube上的创作者在多大程度上追求相似或不同的上传和盈利策略,从而为同构的争论做出了贡献。通过对YouTube频道样本的定量和定性分析,我们展示了内容创作者如何适应、谈判和对抗体制压力。最后,我们发现,在组织管理其在平台上的存在的方式上,更支持多样化,即多态性,而不是集中化。这对我们如何理解传播研究中的平台力量和整合制度理论具有启示意义。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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