{"title":"Geopolitical imaginations of war preparations: visual representations of the Romanian armed forces’ military exercises","authors":"S. Jude","doi":"10.1080/23337486.2022.2106101","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article develops our knowledge of war preparations in Critical Military Studies (CMS) by studying visual representations of the Romanian armed forces’ military training. It draws on feminist and critical military geography to examine geopolitical imaginations that shape, and are shaped, by actors, places, and landscapes of military exercises. While arguing that war preparations are (geo)political practices of power that produce identity, space, and violence, this article opens two new directions in the CMS literature. Firstly, it explores the role of ethnicity in constituting militarized masculinity within military alliances. Specifically, this article shows that exercises envisage the Romanian military as an actor that blends ancient Dacian heroism with technological prowess. This image helps both the Romanian armed forces and the North Atlantic Treaty Organization (NATO) to present themselves as strong and credible military actors. Secondly, it develops our understanding of the spatial construction of militarization. Specifically, it shows that military preparedness animates discourses of Easternness and Westernness, whose coexistence constitutes Romania as a key NATO ally while erasing its past (Socialist) support for peace, anti-militarism, and anti-imperialism. The article contributes to our geographical knowledge of the intersections between militarism, postsocialism and postcolonialism in feminist and critical military studies.","PeriodicalId":37527,"journal":{"name":"Critical Military Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Military Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/23337486.2022.2106101","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This article develops our knowledge of war preparations in Critical Military Studies (CMS) by studying visual representations of the Romanian armed forces’ military training. It draws on feminist and critical military geography to examine geopolitical imaginations that shape, and are shaped, by actors, places, and landscapes of military exercises. While arguing that war preparations are (geo)political practices of power that produce identity, space, and violence, this article opens two new directions in the CMS literature. Firstly, it explores the role of ethnicity in constituting militarized masculinity within military alliances. Specifically, this article shows that exercises envisage the Romanian military as an actor that blends ancient Dacian heroism with technological prowess. This image helps both the Romanian armed forces and the North Atlantic Treaty Organization (NATO) to present themselves as strong and credible military actors. Secondly, it develops our understanding of the spatial construction of militarization. Specifically, it shows that military preparedness animates discourses of Easternness and Westernness, whose coexistence constitutes Romania as a key NATO ally while erasing its past (Socialist) support for peace, anti-militarism, and anti-imperialism. The article contributes to our geographical knowledge of the intersections between militarism, postsocialism and postcolonialism in feminist and critical military studies.
期刊介绍:
Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.