The Mughal Self and the Jain Other in Siddhicandra’s Bhanucandraganicarita

A. Truschke
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Abstract

Abstract:Siddhicandra’s Bhanucandraganicarita (Biography of Bhanucandra, ca. 1620s) enacts a stunning development in Sanskrit historiography. The text’s title bills it as a biography of a Jain mendicant, a standard genre of Jain-authored works. But, in fact, the text treats cross-cultural relations between Jain ascetics and Mughal elites as its main subject. It is arguably the first Sanskrit text to focus specifically and exclusively on Mughal contexts. This literary and historiographical choice is allthe more noteworthy because of the text’s carefully delineated approach to negotiating between Sanskrit, Jain, and Mughal cultural norms. Throughout the work Siddhicandra depicts the Mughals as steeped in Sanskrit literary culture while showing himself to be fluent in a Persianate cultural zone. In the tradition of Sanskrit writing on Indo-Persian political figures, which was several hundred years old by the early seventeenth century, the Bhanucandraganicarita marks a moment when the Mughals ceased to be other in any identifiable way, except as offering a new cultural context for Jain self-expression.
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悉迪坚陀罗的《巴努昌陀罗》中的莫卧儿自我和耆那教他者
摘要:Siddhicandra 's Bhanucandraganicarita (Bhanucandra Biography of Bhanucandra,约1620年代)在梵文史学上取得了惊人的发展。这本书的标题标榜它是一本耆那教乞丐的传记,这是耆那教著作的一种标准类型。但事实上,文本将耆那教苦行僧与莫卧儿精英之间的跨文化关系作为其主要主题。它可以说是第一个专门关注莫卧儿上下文的梵文文本。这种文学和史学上的选择更值得注意,因为文本仔细描述了梵语、耆那教和莫卧儿文化规范之间的谈判方法。在整部作品中,悉迪犍陀罗描绘了沉浸在梵文文学文化中的莫卧儿王朝,同时显示出自己在波斯文化区的流利程度。到17世纪初,关于印度-波斯政治人物的梵文写作已经有几百年的历史了,《巴努犍陀罗》标志着莫卧儿王朝不再以任何可识别的方式存在,除了为耆那教的自我表达提供了一种新的文化背景。
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0.90
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54
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