The Frequency Spectrum and Time Frequency Analysis of Different Violins Classification as Tools for Selecting a Good-Sounding Violin

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Wacana Seni-Journal of Art Discourse Pub Date : 2021-12-27 DOI:10.21315/ws2021.20.3
S. Hamdan, Ahmad Faudzi Musib, M. Sawawi, Saiful Hairi Othman
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引用次数: 1

Abstract

This work evaluates four violins from three distinct manufacturers, notably Eurostring, Stentor, and Suzuki, using a scientific approach. Eurostring1 and Eurostring2 were the names given to the two Eurostring units. The purpose of this study is to identify elements in various violins that could be used as tools for selecting a pleasantsounding violin by having them classified by a professional violinist. The signal’s time varying frequency was evaluated using a frequency spectrum and a time frequency plane, and the combination of frequency spectrum and time frequency domain is utilised. PicoScope oscilloscopes and Adobe Audition version 3 were used to record the acoustic spectra in terms of time and frequency. The time frequency plane is identified, and time frequency analysis (TFA) is produced by Adobe Audition spectrograms. The sound was processed in order to generate Fast Fourier Transform analysis: Fourier spectra (using PicoScope) and spectrograms (using Adobe Audition). Fourier spectra identify the intensity of the fundamental frequency and the harmonic spectra of the overtone frequencies. The highest frequencies that can be read are up to and including the 9th overtone. All violins have a constant harmonic overtone pattern with an uneven acoustic spectrum pattern. Eurostring1 showed inconsistent signal in the string G with 6th and 7th overtone missing, whereas Eurostring2 lack of the 6th overtone. Among the string D, only Eurostring1 display an exponential decay for the overtone. All the string A except for Suzuki showed nice and significant peak of fundamental and overtone. Stentor displays up to the 5th overtone. Among the string E, Suzuki showed inconsistent harmonic peak intensity. TFA revealed that the fundamental frequency of string E for Eurostring1 was lower than the first overtone. Only Eurostring1 has an uneven decay for the overtone frequency, whereas Eurostring2 exhibits a large exponential decay for the overtone frequency.
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不同小提琴分类的频谱和时频分析作为选择一把好的小提琴的工具
这项工作使用科学的方法评估了来自三家不同制造商的四把小提琴,特别是Eurostring、Stentor和Suzuki。Eurostring1和Eurostring2是两个Eurostring单元的名称。本研究的目的是通过由专业小提琴手对各种小提琴中的元素进行分类,确定这些元素可以用作选择听起来悦耳的小提琴的工具。使用频谱和时频平面评估信号的时变频率,并使用频谱和时间频域的组合。PicoScope示波器和Adobe Audition版本3用于记录时间和频率方面的声谱。识别时间频率平面,并通过Adobe Audition频谱图生成时间频率分析(TFA)。对声音进行处理以生成快速傅立叶变换分析:傅立叶频谱(使用PicoScope)和频谱图(使用Adobe Audition)。傅立叶谱识别基频的强度和泛音频率的谐波谱。可以读取的最高频率是高达并包括第9泛音。所有的小提琴都具有恒定的谐波泛音模式和不均匀的声学频谱模式。Eurostring1在G弦中显示出不一致的信号,缺少第6和第7泛音,而Eurostring2缺少第6泛音。在弦D中,只有Eurostring1显示出泛音的指数衰减。除铃木外,所有的A弦都表现出优美而显著的基频和泛音峰值。Stentor显示高达第5泛音。在E弦中,铃木表现出不一致的谐波峰值强度。TFA显示,Eurostring1的E弦基频低于第一泛音。只有Eurostring1对泛音频率具有不均匀的衰减,而Eurostring2对泛音的频率表现出大的指数衰减。
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来源期刊
Wacana Seni-Journal of Art Discourse
Wacana Seni-Journal of Art Discourse HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
50.00%
发文量
10
期刊介绍: Wacana Seni Journal of Arts Discourse, a refereed journal of the School of the Arts, published by Penerbit Universiti Sains Malaysia, promotes the advancement of scholarly knowledge about the arts and design particularly in Malaysia and Asia. The journal publishes articles with theoretical approaches from various disciplines, artists’ statements about creative processes, conversational dialogues with prominent artists, as well as reviews of books, recordings, exhibitions, and performances.
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