Zombies as Temporal Critique: Sudor frío (2010) and Generations of Youth in Postdictatorship Argentina

IF 0.1 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2021-05-18 DOI:10.7560/SLAPC3901
Charles St-Georges
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Abstract

Abstract:Set in present-day Buenos Aires, the film Sudor frío (2010, dir. Adrián García Bogliano) features two former agents of the Proceso de Reorganización Nacional who continue to imprison zombified abductees from the Dirty War of the 1970s and 1980s in their decrepit house of horrors, where they also capture and torture newer generations of Argentine youth who are disconnected from the historical violence of the dictatorship and are supposedly disenchanted with politics in general. Stunted in their normative development as young citizens toward traditional benchmarks like employment, home ownership, and procreation, their suspension in time can be read as zombiesque, allowing for the blurring of differences between generations. The distinct ways in which they have become frozen in time hold the potential to engender a kind of temporal critique that calls into question not only the national progress that has been made since the return to democracy, but also the prescriptive timeline that defines individual progress according to the logic of the neoliberal economy left intact since the last dictatorship.
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作为时间批判的僵尸:Sudor frío(2010)和后独裁时期阿根廷的几代年轻人
摘要:电影《Sudor frío》(2010年,导演Adrián García Bogliano)以现在的布宜诺斯艾利斯为背景,讲述了国家重组进程的两名前特工,他们继续将20世纪70年代和80年代肮脏战争中被僵尸绑架的人监禁在他们破旧的恐怖之家中,在那里,他们还逮捕并折磨新一代的阿根廷青年,他们与独裁统治的历史暴力脱节,据说对整个政治不再抱有幻想。作为年轻公民,他们对就业、住房所有权和生育等传统基准的规范发展感到震惊,他们在时间上的暂停可以被解读为僵尸式的,从而模糊了几代人之间的差异。它们被时间冻结的不同方式有可能产生一种时间批判,这种批判不仅对回归民主以来取得的国家进步提出质疑,而且对根据上一次独裁以来保持不变的新自由主义经济逻辑定义个人进步的规定时间线提出质疑。
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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发文量
10
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