Liquid holy sites

Q1 Arts and Humanities Res: Anthropology and Aesthetics Pub Date : 2021-01-01 DOI:10.1086/714327
M. Bacci
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Abstract

2. M. Eliade, Patterns in Comparative Religion, 2nd ed. (Lincoln, NE, 1996), 188–215. More recent works on the political, religious, and symbolic functions of water in human experience from a comparative viewpoint include H. Böhme, ed., Kulturgeschichte des Wassers (Frankfurt, 1988); R. H. W. Wolf, Mysterium Wasser: Eine In the Holy Land, the material foci of cultic phenomena are grafted onto the soil: they are portions of ground deemed to be hallowed by their contact with the key figures of biblical history. These memorial signifiers of sacred events, unlike other Christian cult objects, are topographical in nature, spots embedded on the earth’s surface. In order to demonstrate their exceptional status as holy sites, they can be framed within architectural structures, made either easily or hardly accessible, or staged via various forms of ritual performance and mise-en-scène, but they cannot be moved or involved in kinetic ceremonies. It can therefore be wondered to what extent liquid sites, being by definition formless and instable, can be experienced as manifestations of holiness, and questions can be raised as to whether and under what circumstances they may have given shape to some form of religious materiality in the context of pilgrimage to Jerusalem. In the argumentation that follows, I will not tackle the issue of the use of water and oils in the performance of rituals, whose symbolic efficacy assuredly made a significant impact on the perception of such liquids at all levels of religious experience. I take this for granted, as my basic aim is to focus on those forms of devotion that were considered, in a more or less conscious way, to provide believers with a nonsacramental, nonliturgical, objectoriented, and site-bound access to the divine sphere. In this respect, I use the term “holy,” as conceptually distinct from “sacred,” to describe an experience of the supernatural dimension perceived as inherent and active in matter, independently from the mediation of any human activity.
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液体圣地
2.M.Eliade,《比较宗教模式》,第二版(林肯,NE,1996),188-215。从比较的角度研究水在人类经验中的政治、宗教和象征功能的最新著作包括H.Böhme,ed.,Kulturgescchichte des Wassers(法兰克福,1988年);R.H.W.Wolf,《瓦瑟之谜:圣地之谜》,邪教现象的物质焦点被移植到土壤上:它们是因与圣经历史上的关键人物接触而被视为神圣的土地部分。与其他基督教崇拜对象不同,这些神圣事件的纪念符号本质上是地形,是嵌入地球表面的斑点。为了展示它们作为圣地的特殊地位,它们可以被框在建筑结构中,变得容易或难以进入,或者通过各种形式的仪式表演和mise en scène上演,但它们不能被移动或参与动态仪式。因此,可以想知道,根据定义,流动场所是无形的和不稳定的,在多大程度上可以被视为神圣的表现,人们可以质疑,在前往耶路撒冷朝圣的背景下,它们是否以及在什么情况下形成了某种形式的宗教物质性。在接下来的论证中,我不会讨论在仪式中使用水和油的问题,因为仪式的象征效力无疑对宗教体验的各个层面对这种液体的感知产生了重大影响。我认为这是理所当然的,因为我的基本目标是专注于那些被认为或多或少有意识地为信徒提供非宗教、非宗教、面向对象和现场访问神圣领域的奉献形式。在这方面,我使用“神圣”一词,在概念上与“神圣”不同,来描述一种超自然维度的体验,这种体验被认为是物质中固有的和活跃的,独立于任何人类活动的中介。
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Res: Anthropology and Aesthetics
Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts
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期刊介绍: Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.
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