Visnu’s Cakra as Narrative Weapon in the Skandapurana

IF 0.1 0 RELIGION Religions of South Asia Pub Date : 2023-09-03 DOI:10.1558/rosa.22984
Sanne Dokter-Mersch
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Abstract

The Skandapurana is one of the earliest Puranas, with a strong Saiva message throughout the entire text. It promotes devotion to Siva and narrates stories about Siva, his relatives and followers. It does not, however, deny other gods. At least six narratives concern Visnu and his deeds. Three of these are manifestation myths, narrating Visnu’s conquest of the Asuras. For its retellings, such as Visnu’s manifestation myths, the Skandapurana combines known narrative elements with new characterizations, features and scenes. This is not only observable in the stories as a whole, but also on the level of narrative details. In this article, I will show this by studying one of Visnu’s primary weapons, the cakra, ‘discus’. The description of the cakra sometimes agrees with those in other texts, such as its fiery appearance and its quality of returning to its owner. At the same time, there are various new characterizations, for example the fact that it originally belongs to or comes from Siva. With the help of a theory referred to as narrative consistency, I will explore the reasons behind the inclusion of known elements and the introduction of new elements, as well as the reasons behind a combination of the two.
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《斯坎达普拉那》中维瑟奴的脉轮作为叙述武器
Skandapurana是最早的往世史之一,在整个文本中都有强烈的湿婆信息。它宣扬对湿婆的虔诚,讲述湿婆、他的亲戚和追随者的故事。然而,它并不否认其他神。至少有六种叙述是关于维斯努和他的事迹的。其中三个是显化神话,讲述了维瑟奴征服阿修罗的故事。《斯坎达普拉那》的重述,如维斯努的显化神话,将已知的叙事元素与新的人物特征、特征和场景结合起来。这不仅体现在故事整体上,也体现在叙事细节层面。在本文中,我将通过研究Visnu的主要武器之一——“铁饼”来展示这一点。对脉轮的描述有时与其他文本中的描述一致,例如其火热的外观和返回其主人的品质。与此同时,有各种新的特征,例如,它最初属于或来自湿婆。借助一种被称为叙事一致性的理论,我将探讨包含已知元素和引入新元素背后的原因,以及两者结合背后的原因。
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来源期刊
Religions of South Asia
Religions of South Asia Arts and Humanities-Religious Studies
CiteScore
0.10
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发文量
15
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