{"title":"Asghar Farhadi’s nuanced feminism: Gender and marriage in Farhadi’s films from Dancing in the Dust to A Separation","authors":"Mostafa Abedinifard","doi":"10.1386/AC.30.1.109_1","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":41198,"journal":{"name":"Asian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/AC.30.1.109_1","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/AC.30.1.109_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}