{"title":"Changing Notions of \"Feminine Spaces\" in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551)","authors":"Burglind Jungmann","doi":"10.1215/00666637-4342402","DOIUrl":null,"url":null,"abstract":"abstract:Facts about Sin Saimdang, the most famous female artist in Korean history, are scattered and none of the remaining works attributed to her can be confirmed as authentic. Since her death every century has contributed new ideas about the painter and her oeuvre. By discussing texts from the sixteenth century through the twentieth, this article investigates how concepts of \"feminine space\"—in the sense of ideas of femininity in an artist's oeuvre and in the physical, economic, and social spaces of women—changed and created a phantom of an artist whose personality and artwork have disappeared due to the continuous reconstruction and manipulation of (art) history.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"68 1","pages":"47 - 66"},"PeriodicalIF":0.2000,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVES OF ASIAN ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00666637-4342402","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
Abstract
abstract:Facts about Sin Saimdang, the most famous female artist in Korean history, are scattered and none of the remaining works attributed to her can be confirmed as authentic. Since her death every century has contributed new ideas about the painter and her oeuvre. By discussing texts from the sixteenth century through the twentieth, this article investigates how concepts of "feminine space"—in the sense of ideas of femininity in an artist's oeuvre and in the physical, economic, and social spaces of women—changed and created a phantom of an artist whose personality and artwork have disappeared due to the continuous reconstruction and manipulation of (art) history.
期刊介绍：
Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
