“‘Bach, Please’: Nashville bachelorette party culture’s investments in white Southern femininity”

IF 1.1 1区 文学 Q3 COMMUNICATION Communication and Critical-Cultural Studies Pub Date : 2023-01-02 DOI:10.1080/14791420.2022.2164024
C. King
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Abstract

ABSTRACT In the 2010s, multiple media outlets declared Nashville an “It City.” No longer simply the home of country music, Nashville became a popular tourist destination with particular appeal to white women bachelorettes. Nashville’s bachelorette party culture encourages women to “celebrify” themselves by supporting scopic economies through public amenities and social media sharing—while simultaneously reinforcing white, Eurocentric, cisheterosexual beauty norms refracted through fantasies about Southern womanhood. This tourist industry, which has dramatically altered Nashville’s public image, relies on and reaffirms centuries-old fantasies about white women that are designed to be detrimental, if not dangerous, to Black lives.
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“请巴赫”:纳什维尔单身派对文化对南方白人女性气质的投资
摘要2010年代,多家媒体宣布纳什维尔为“It城市”。纳什维尔不再是乡村音乐之乡,而是一个受欢迎的旅游目的地,尤其吸引着单身白人女性。纳什维尔的单身派对文化鼓励女性通过公共设施和社交媒体共享支持微观经济来“庆祝”自己,同时强化白人、以欧洲为中心、顺异性恋的美丽规范,这些规范通过对南方女性的幻想折射出来。这个旅游业极大地改变了纳什维尔的公众形象,它依赖并重申了数百年来对白人女性的幻想,这些幻想即使不是危险的,也是有害的。
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来源期刊
CiteScore
3.10
自引率
10.50%
发文量
32
期刊介绍: Communication and Critical/Cultural Studies (CC/CS) is a peer-reviewed publication of the National Communication Association. CC/CS publishes original scholarship that situates culture as a site of struggle and communication as an enactment and discipline of power. The journal features critical inquiry that cuts across academic and theoretical boundaries. CC/CS welcomes a variety of methods including textual, discourse, and rhetorical analyses alongside auto/ethnographic, narrative, and poetic inquiry.
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