{"title":"Being a DJ in a time of zero social huddling: Tales from a locked-down India","authors":"Pradipta Sarkar","doi":"10.1558/prbt.19347","DOIUrl":null,"url":null,"abstract":"The COVID-19 pandemic has caused widespread disruptions in music industries globally, resulting in rapid cancellations of music festivals, concerts and club nights, and closure of international borders. The consequences of this pandemic have been especially dire for musicians, DJs and event promoters whose livelihoods and financial viability were tied largely to live performances. Within the independent music scenes in India, artists and event organizers rushed to social media and livestreaming platforms in their attempts to salvage brand visibility and explore monetization opportunities as drastic impositions of nationwide lockdowns came into effect. In a densely populated developing country rife with anxieties over exponential rates of COVID-19 infections, independent musicians in India have sought creative approaches to maintain visibility through digital platforms. Drawing on methods influenced by online ethnography, this article presents a discussion of how four professional Indian DJs explore and interrogate the affordances of various social media and livestreaming platforms in their efforts to remain artistically visible in the absence of state-initiated financial support and socially huddled dancefloors. The article offers insights into the triumphs, and trials and tribulations, experienced by independent musicians as they explore the material affordances of digital platforms at this critical moment in history. © Equinox Publishing Ltd 2021","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perfect Beat","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/prbt.19347","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
在零社交时代做DJ:来自被封锁的印度的故事
新冠肺炎疫情对全球音乐产业造成了广泛干扰,导致音乐节、音乐会和俱乐部之夜迅速取消,国际边境关闭。这场疫情的后果对音乐家、DJ和活动发起人来说尤其可怕,他们的生计和财务可行性主要与现场表演有关。在印度的独立音乐领域,随着全国封锁的严厉实施,艺术家和活动组织者纷纷涌向社交媒体和直播平台,试图挽救品牌知名度,探索盈利机会。在一个人口稠密的发展中国家,人们对新冠肺炎的指数级感染率充满焦虑,印度的独立音乐人寻求创造性的方法,通过数字平台保持知名度。本文借鉴了受在线民族志影响的方法,讨论了四位印度专业DJ如何探索和质疑各种社交媒体和直播平台的可供性,在没有国家资助和社交聚会的舞池的情况下,他们努力保持艺术上的知名度。这篇文章深入了解了独立音乐人在这个历史关键时刻探索数字平台的物质启示时所经历的成功、考验和磨难。©Equinox出版有限公司2021
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