General editorial: EAJPC 8.2

Q2 Social Sciences East Asian Journal of Popular Culture Pub Date : 2022-09-01 DOI:10.1386/eapc_00072_2
E. Vickers, A. Heylen, K. Taylor-Jones
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Abstract

This issue of the East Asian Journal of Popular Culture (EAJPC) includes a thematic section, edited by Scott Sommers, consisting of four papers dealing with various cultural ramifications of a modern popular culture in middle-class Japan, particularly in relation to gender and consumerism. It further features articles analysing the role of humour in the Sinophone world: one (by Charles Lam and Genevieve Leung) on the emergence during the 1970s of a consciousness of distinctive Hong Kong identity through the prism of the television sketch comedy, the Hui Brothers Show and another (by Jacob Tischer) investigating the use of a humorous social media strategy by Taiwan’s government in its attempts to manage the COVID-19 pandemic. The issue concludes with a paper by Marketa Bajgerová Verly on the representation of female victims of the Sino-Japanese War in the museums of the PRC. The book reviews section features commentary on four recently published works that relate to themes discussed in the research articles.
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总论:EAJPC 8.2
本期《东亚流行文化杂志》包括一个主题部分,由Scott Sommers编辑,由四篇论文组成,涉及日本中产阶级现代流行文化的各种文化影响,特别是与性别和消费主义有关的影响。文章还分析了幽默在华语世界中的作用:一篇(由Charles Lam和Genevieve Leung撰写)通过电视小品喜剧的视角,讲述了20世纪70年代香港独特身份意识的出现,Hui Brothers Show和另一个(Jacob Tischer)调查台湾政府在试图控制新冠肺炎大流行时使用幽默的社交媒体策略。本期以Marketa BaggerováVerly撰写的一篇关于中国博物馆中中日战争女性受害者形象的论文结束。书评部分对最近出版的四部与研究文章中讨论的主题相关的作品进行了评论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
East Asian Journal of Popular Culture
East Asian Journal of Popular Culture Social Sciences-Cultural Studies
CiteScore
0.70
自引率
0.00%
发文量
26
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