Old Age and Italian (Film) Comedy: Why Cry When You Can Laugh?

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Italianist Pub Date : 2021-05-04 DOI:10.1080/02614340.2021.1922155
Lisa Dolasinski
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Abstract

ABSTRACT This article contributes to an understudied topic in Italian film studies: representations of older people in contemporary comedies. After contextualising Italian cinema’s enduring tendency to employ laughter to cope with tragedy, I cast a spotlight on three of the few Italian film comedies that address the topics of old age and ageing in sustained, purposeful, and original ways. Beginning with an analysis of Fantozzi va in pensione (Neri Parenti, 1988) as a kind of precursor to more recent features, I examine the interconnected themes of work, retirement, intergenerational conflict, and death. Close readings of Metti la nonna in freezer (Giancarlo Fontana and Giuseppe Stasi, 2018) and Buoni a nulla (Gianni Di Gregorio, 2014) follow. These comedies recycle tropes addressed in Fantozzi va in pensione. Yet, when interpreted in the context of contemporary Italy, the latter two films are also innovative in their grotesque depiction of older persons as ‘human capital’.
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老年与意大利(电影)喜剧:能笑为什么哭?
摘要:本文致力于意大利电影研究中一个研究不足的主题:当代喜剧中老年人的表现。在了解了意大利电影用笑声来应对悲剧的持久趋势后,我将焦点放在了为数不多的意大利电影喜剧中的三部上,这些喜剧以持续、有目的和新颖的方式讲述了老年和衰老的话题。从对《pensione》中的Fantozzi va(Neri Parenti,1988)的分析开始,我研究了工作、退休、代际冲突和死亡等相互关联的主题。Metti la nonna在冰箱中的近距离读数(Giancarlo Fontana和Giuseppe Stasi,2018)和Buoni a nulla(Gianni Di Gregorio,2014)紧随其后。这些喜剧重复了《潘西翁》中Fantozzi va的比喻。然而,当在当代意大利的背景下解读时,后两部电影对老年人作为“人力资本”的怪诞描绘也具有创新性。
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来源期刊
Italianist
Italianist HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
11
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