Improvised active music therapy for clients with Parkinson’s disease: A feasibility study

IF 0.7 Q4 REHABILITATION British Journal of Music Therapy Pub Date : 2021-07-01 DOI:10.1177/13594575211029101
Demian Kogutek, J. Holmes, Jessica A. Grahn, Emily A. Ready, M. Montero‐Odasso
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引用次数: 2

Abstract

The purpose of this study was to test the feasibility of delivering Improvised Active Music Therapy sessions in measuring the impact of acquisition of rhythmic complexity levels on gait performance in individuals with Parkinson’s disease. In this single subject multiple baseline design, the study measured the ability of three right-handed participants with Parkinson’s disease to acquire greater density of syncopation, as a measure of rhythmic complexity levels, while playing uninterrupted improvised music on a simplified electronic drum-set. The music content of the sessions was transformed into digital music data in real-time using Musical Instrument Digital Interface. The Musical Instrument Digital Interface data were analyzed to determine the participants’ and the Music Therapist’s density of syncopation (on acoustic guitar) during baseline and treatment conditions. Results from visual analyses and Pearson’s correlations on the outcomes indicated conflicting and inconclusive outcomes about whether higher acquisition of rhythmic complexity levels improves gait performance in individuals with Parkinson’s disease. Despite this, evidence was found to support the overall value of Improvised Active Music Therapy sessions on gait performance. The study design, the intervention, and outcome measures were found to be feasible and could be scaled-up into a larger trial.
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帕金森病患者的即兴主动音乐治疗:可行性研究
本研究的目的是测试提供即兴主动音乐治疗课程的可行性,以测量帕金森病患者获得节奏复杂性水平对步态表现的影响。在这项单受试者多基线设计中,该研究测量了三名患有帕金森病的右手参与者在简化的电子鼓上演奏不间断的即兴音乐时,获得更高密度切分音的能力,作为节奏复杂性水平的衡量标准。使用乐器数字接口将会议的音乐内容实时转换为数字音乐数据。对乐器数字接口数据进行分析,以确定参与者和音乐治疗师在基线和治疗条件下的切分音密度(在原声吉他上)。视觉分析的结果和Pearson对结果的相关性表明,关于更高的节奏复杂性水平是否能改善帕金森病患者的步态表现,结果存在矛盾和不确定。尽管如此,仍有证据支持即兴主动音乐治疗对步态表现的整体价值。研究设计、干预措施和结果测量都是可行的,可以扩大到更大规模的试验中。
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