“I don’t want to be helpless”: learning policymaking with teachers

Q1 Arts and Humanities Arts Education Policy Review Pub Date : 2021-03-30 DOI:10.1080/10632913.2021.1900005
Eric Shieh
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引用次数: 2

Abstract

Abstract This article explores the relationship between teachers and policymaking, and in particular a contradiction at its center: Teachers are needed to “people” policy, yet are conventionally named as its objects. As part of a two-year participatory study, fourteen teachers in three schools, including the author, sought to investigate policy problems and transform our relationships to policymaking in the context of our schools. Over the course of this work, we repeatedly confronted a sense of helplessness, originating not simply from the ways we were positioned in discourses of policymaking, but also from difficulties we faced locating ourselves in complex policy systems. At the same time, teachers contested these feelings of helplessness, and this article details the kinds of strategies we drew upon to persist in our policy investigations and call ourselves into new roles. At a time when arts policy researchers, in particular, are calling for greater work and analysis at the local level, this study—which includes the participation of two music teachers working alongside colleagues in their schools—offers implications for the ways arts teachers and researchers can build and support policymaking in our schools.
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“我不想无助”:与老师一起学习决策
摘要本文探讨了教师与政策制定之间的关系,特别是其中的一个矛盾:教师是政策“人”所需要的,但通常被称为政策的对象。作为一项为期两年的参与性研究的一部分,包括作者在内的三所学校的14名教师试图调查政策问题,并在我们学校的背景下将我们的关系转变为政策制定。在这项工作的过程中,我们一再遇到一种无助感,这种无助感不仅源于我们在政策制定话语中的定位,也源于我们在复杂的政策体系中定位的困难。与此同时,教师们对这种无助感提出了质疑,本文详细介绍了我们在政策调查中所采用的各种策略,并为自己赋予了新的角色。当艺术政策研究人员特别呼吁在地方层面进行更多的工作和分析时,这项研究——包括两位音乐教师在他们学校的同事一起工作的参与——为艺术教师和研究人员在我们学校建立和支持政策制定的方式提供了启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arts Education Policy Review
Arts Education Policy Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.90
自引率
0.00%
发文量
30
期刊介绍: Arts Education Policy Review ( AEPR) presents discussion of major policy issues in arts education in the United States and throughout the world. Addressing education in music, visual arts, theatre, and dance, the journal presents a variety of views and emphasizes critical analysis. Its goal is to produce the most comprehensive and rigorous exchange of ideas available on arts education policy. Policy examinations from multiple viewpoints are a valuable resource not only for arts educators, but also for administrators, policy analysts, advocacy groups, parents, and audiences—all those involved in the arts and concerned about their role in education. AEPR focuses on analyses and recommendations focused on policy. The goal of any article should not be description or celebration (although reports of successful programs could be part of an article). Any article focused on a program (or programs) should address why something works or does not work, how it works, how it could work better, and most important, what various policy stakeholders (from teachers to legislators) can do about it. AEPR does not promote individuals, institutions, methods, or products. It does not aim to repeat commonplace ideas. Editors want articles that show originality, probe deeply, and take discussion beyond common wisdom and familiar rhetoric. Articles that merely restate the importance of arts education, call attention to the existence of issues long since addressed, or repeat standard solutions will not be accepted.
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