{"title":"Contigo en la distancia: Colombia, Galicia y el negocio narco entre la realidad y la ficción; entre el humor y el dramatismo","authors":"Sabrina S. Laroussi","doi":"10.7560/SLAPC3907","DOIUrl":null,"url":null,"abstract":"Abstract:In his 2015 book Fariña, Nacho Carretero utilizes a sarcastic tone when detailing the criminal landscape that reigned in Galicia, Spain, for decades. This particular satirical wit is also seen in La virgen de los sicarios (1993), by Fernando Vallejo, which explores the cycle of violence and death in Colombia during drug-related violence. The narrator and main protagonist, Fernando, gives an account of the crime and injustice he witnesses with much sarcasm and irony, which leaves the reader perplexed. In this article, I examine the juxtaposition of comedy and tragedy, reality and fiction, represented in Spanish and Colombian narrative. The article questions whether literature, cinema, TV, and more recently, streaming services, are to be blamed for trivializing the crime and the violence that surrounds drug trafficking in all its various shapes and forms, or whether these cultural agents act as social agents promoting positive change by raising awareness of the undeniable and unavoidable deep connection between drug trafficking and violence.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":"39 1","pages":"120 - 133"},"PeriodicalIF":0.1000,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/SLAPC3907","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:In his 2015 book Fariña, Nacho Carretero utilizes a sarcastic tone when detailing the criminal landscape that reigned in Galicia, Spain, for decades. This particular satirical wit is also seen in La virgen de los sicarios (1993), by Fernando Vallejo, which explores the cycle of violence and death in Colombia during drug-related violence. The narrator and main protagonist, Fernando, gives an account of the crime and injustice he witnesses with much sarcasm and irony, which leaves the reader perplexed. In this article, I examine the juxtaposition of comedy and tragedy, reality and fiction, represented in Spanish and Colombian narrative. The article questions whether literature, cinema, TV, and more recently, streaming services, are to be blamed for trivializing the crime and the violence that surrounds drug trafficking in all its various shapes and forms, or whether these cultural agents act as social agents promoting positive change by raising awareness of the undeniable and unavoidable deep connection between drug trafficking and violence.
摘要:纳乔·卡雷特罗在2015年出版的《法里尼亚》一书中,用讽刺的口吻详细描述了西班牙加利西亚几十年来的犯罪形势。Fernando Vallejo的《La virgen de los sicarios》(1993)也体现了这种特殊的讽刺智慧,该书探讨了哥伦比亚在毒品相关暴力中的暴力和死亡循环。叙述者兼主人公费尔南多用大量的讽刺和讽刺讲述了他所目睹的犯罪和不公正,这让读者感到困惑。在这篇文章中,我考察了西班牙和哥伦比亚叙事中喜剧与悲剧、现实与小说的并置。这篇文章质疑文学、电影、电视,以及最近的流媒体服务,是否应该因为轻视了围绕各种形式和形式的毒品贩运的犯罪和暴力而受到指责,或者这些文化代理人是否通过提高人们对贩毒与暴力之间不可否认和不可避免的深刻联系的认识,作为促进积极变革的社会代理人。