Performing at Home in the Pandemic: Boca del Lupo’s Plays2Perform@Home Collection

IF 0.2 3区 艺术学 0 THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-08-01 DOI:10.3138/ctr.191.013
Signy Lynch
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Abstract

Abstract:This article explores Vancouver theatre company Boca del Lupo’s Plays2Perform@Home collection. Generated as a way for audiences to bring the theatre home with them during the pandemic, the collection is composed of twenty short plays across five regional box sets, and was commissioned by Boca del Lupo in partnership with several other theatre companies across Canada. The author offers some observations and personal highlights from the collection, and reflects on what it means to perform these plays at home. She complements her analysis of the plays by drawing on her own experiences performing some of the pieces at home with her family, re-creating the intended experience of the collection. Because of the unusual circumstances of their production, Lynch suggests that it is valuable to examine the Plays2Perform@Home pieces through an immersive and site-specific lens, rather than a purely dramatic one. She argues that the plays that succeed the most in performance are those that seriously consider the experience of their audience-performers and incorporate the expected conditions of performance into their dramatic works. The article also includes a full listing of the plays in each box set.
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疫情期间在家演出:Boca del Lupo的Plays2Perform@Home收集
摘要:本文探讨了温哥华戏剧公司Boca del Lupo的Plays2Perform@Home收集该系列由五个地区的20部短剧组成,由Boca del Lupo与加拿大其他几家剧院公司合作委托制作,是为了让观众在疫情期间把剧院带回家。作者提供了一些观察和个人亮点,并反思了在家表演这些戏剧意味着什么。她借鉴自己在家与家人一起表演一些作品的经历,重新创造了该系列的预期体验,从而补充了对戏剧的分析。由于其制作的特殊情况,林奇认为,研究Plays2Perform@Home作品通过身临其境和特定地点的镜头,而不是纯粹的戏剧性镜头。她认为,在表演方面最成功的戏剧是那些认真考虑观众表演者的经验并将预期的表演条件融入戏剧作品的戏剧。这篇文章还包括每个盒子里的剧本的完整列表。
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CiteScore
0.30
自引率
33.30%
发文量
54
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