Aesthetic Value of Mirror Symmetry in Graphic Design

I. Budimir, Miroslav Mikota, Josipa Fotak, Hrvoje Grujić
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引用次数: 1

Abstract

The primary goal of graphic design as a form of "commercial art" is to create a stronger aesthetic impression on graphic product users. In order to achieve better aesthetic quality, designers use mathematical compositional rules such as golden ratio or symmetry. This paper contains extensive discussion of the possibilities offered by different types of symmetry in graphic design. Also, the results of the research conducted by the method of experimental aesthetics were provided in this paper and this research evaluated the opinions of the subjects about the aesthetic value of the mirror symmetric form. For this purpose, 4 original test samples were designed, which were ranked by the respondents using the Liekert scale, according to their own aesthetic value. Non-parametric Friedman's ANOVA and Wilcoxon tests were used to identify pairs of arithmetic means of ranks that statistically differ significantly (p <0.05). It was found that respondents considered that the highest quality test pattern was the one whose form was fully aligned with the mirror symmetry, thereby experimentally verifying the aesthetic value of the mirror symmetry.
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镜像对称在平面设计中的美学价值
平面设计作为一种“商业艺术”形式的首要目标是给平面产品用户创造更强烈的审美印象。为了获得更好的美学质量,设计师使用了黄金比例或对称性等数学构图规则。本文对平面设计中不同类型的对称性所提供的可能性进行了广泛的讨论。此外,本文还提供了采用实验美学方法进行的研究结果,并评估了受试者对镜像对称形式的美学价值的看法。为此,设计了4个原始测试样本,由受试者根据自己的美学价值使用Liekert量表进行排名。使用非参数Friedman方差分析和Wilcoxon检验来识别在统计学上差异显著的等级算术平均数对(p<0.05)。发现受访者认为最高质量的测试模式是形式与镜像对称完全一致的测试模式,从而通过实验验证了镜像对称的美学价值。
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