Live literature in the Philippines: an ethnographic study of #RomanceClass and reading as performance

IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY Creative Industries Journal Pub Date : 2021-06-12 DOI:10.1080/17510694.2021.1939544
C. Parnell, A. A. Trinidad, J. McAlister
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引用次数: 2

Abstract

Abstract Live literature – events where literature is the dominant art form presented or performed – is a highly visible form of contemporary book culture. In this article, we examine the live reading events organised by #RomanceClass in the Philippines as a case study, using a digital ethnography method which draws on fieldnotes, interviews, social media content, a decibel reader, and a bingo card; and grapple with some of the methodological challenges of researching post-digital literary events. By doing so, we seek not only to explore these fascinating live reading events as specific local phenomena, but also the ways in which the characteristics of a given genre world shape the phenomenology of live literature events more broadly.
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菲律宾的生活文学:#罗曼史课堂和阅读作为表演的民族志研究
摘要现场文学——文学是呈现或表演的主要艺术形式的事件——是当代图书文化的一种高度可见的形式。在这篇文章中,我们以#RomanceClass在菲律宾组织的现场阅读活动为案例研究,使用数字民族志方法,利用现场笔记、采访、社交媒体内容、分贝阅读器和宾果卡;并努力应对研究后数字文学事件的一些方法论挑战。通过这样做,我们不仅寻求将这些引人入胜的现场阅读事件作为特定的地方现象来探索,还寻求特定类型世界的特征如何更广泛地塑造现场文学事件的现象学。
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来源期刊
Creative Industries Journal
Creative Industries Journal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.40
自引率
27.30%
发文量
30
期刊介绍: The scope of the Creative Industries Journal is global, primarily aimed at those studying and practicing activities which have their origin in individual creativity, skill and talent, and which have a potential for wealth creation. These activities primarily take place in advertising, architecture, the art and antiques market, crafts, design, fashion, film, interactive leisure software, music, the performing arts, publishing, television and radio.
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