{"title":"‘Stylistics will never become boring’: An interview with Paul Simpson","authors":"Sandrine Sorlin","doi":"10.1177/09639470221134380","DOIUrl":null,"url":null,"abstract":"Paul Simpson got his PhD from the University of Ulster in 1984 and took up a post at the University of Nottingham the same year. He has since worked at Queen’s University Belfast and Liverpool University, and is currently at the latter institution. He was editor of Language and Literature from 2004 to 2009 after having been assistant editor. In this interview he recalls the influences that got him into stylistics and how he came to find a place for himself in the field. He explains why the international Poetics and Linguistics Association (PALA) is an essential outlet for like-minded individuals who may be in different ‘pockets’ around the world. He talks about his early interest in sociolinguistics and language variation and what fascinates him about language – the things that are usually dismissed by mainstream linguistics as too messy, problematic or slippery. The creativity of language and the pragmatic ways in which ‘language routines’ are subverted are at the heart of what interests him as a stylistician. This brings him to come back to the absurdity of speaking of ‘literary language’ as a separate genre. He comments on his time as editor of Language and Literature, the satisfactions and challenges of the work, the place of the journal in the editorial market and ventures a definition of the broad church of stylistics. Lastly he mentions how stylistics is picking up on new things all the time, going with the tide of new media and approaches, while keeping its momentum at all times and even ‘decolonizing’ itself in the process.","PeriodicalId":45849,"journal":{"name":"Language and Literature","volume":"31 1","pages":"495 - 507"},"PeriodicalIF":0.6000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language and Literature","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/09639470221134380","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
Paul Simpson got his PhD from the University of Ulster in 1984 and took up a post at the University of Nottingham the same year. He has since worked at Queen’s University Belfast and Liverpool University, and is currently at the latter institution. He was editor of Language and Literature from 2004 to 2009 after having been assistant editor. In this interview he recalls the influences that got him into stylistics and how he came to find a place for himself in the field. He explains why the international Poetics and Linguistics Association (PALA) is an essential outlet for like-minded individuals who may be in different ‘pockets’ around the world. He talks about his early interest in sociolinguistics and language variation and what fascinates him about language – the things that are usually dismissed by mainstream linguistics as too messy, problematic or slippery. The creativity of language and the pragmatic ways in which ‘language routines’ are subverted are at the heart of what interests him as a stylistician. This brings him to come back to the absurdity of speaking of ‘literary language’ as a separate genre. He comments on his time as editor of Language and Literature, the satisfactions and challenges of the work, the place of the journal in the editorial market and ventures a definition of the broad church of stylistics. Lastly he mentions how stylistics is picking up on new things all the time, going with the tide of new media and approaches, while keeping its momentum at all times and even ‘decolonizing’ itself in the process.
Paul Simpson于1984年从阿尔斯特大学获得博士学位,并于同年在诺丁汉大学任职。此后,他曾在贝尔法斯特女王大学和利物浦大学工作,目前在后者工作。2004年至2009年,他担任《语言与文学》的助理编辑。在这次采访中,他回忆起了他进入文体学的影响,以及他是如何在这个领域找到自己的位置的。他解释了为什么国际诗学和语言学协会(PALA)是世界各地志同道合的人的重要渠道。他谈到了他早期对社会语言学和语言变异的兴趣,以及语言让他着迷的地方——这些东西通常被主流语言学认为过于混乱、有问题或狡猾。作为一名造型学家,语言的创造力和颠覆“语言惯例”的务实方式是他感兴趣的核心。这让他回到了将“文学语言”作为一种单独的体裁来谈论的荒谬。他评论了自己担任《语言与文学》编辑的时间、作品的满足感和挑战、杂志在编辑市场上的地位,并大胆定义了广泛的文体学教会。最后,他提到了文体学是如何随着新媒体和新方法的潮流而不断吸收新事物的,同时始终保持其势头,甚至在这个过程中“去殖民化”自己。
期刊介绍:
Language and Literature is an invaluable international peer-reviewed journal that covers the latest research in stylistics, defined as the study of style in literary and non-literary language. We publish theoretical, empirical and experimental research that aims to make a contribution to our understanding of style and its effects on readers. Topics covered by the journal include (but are not limited to) the following: the stylistic analysis of literary and non-literary texts, cognitive approaches to text comprehension, corpus and computational stylistics, the stylistic investigation of multimodal texts, pedagogical stylistics, the reading process, software development for stylistics, and real-world applications for stylistic analysis. We welcome articles that investigate the relationship between stylistics and other areas of linguistics, such as text linguistics, sociolinguistics and translation studies. We also encourage interdisciplinary submissions that explore the connections between stylistics and such cognate subjects and disciplines as psychology, literary studies, narratology, computer science and neuroscience. Language and Literature is essential reading for academics, teachers and students working in stylistics and related areas of language and literary studies.