{"title":"Exploring multiple identities: An embodied perspective on academic development and higher education research","authors":"J. Leigh","doi":"10.1386/JDSP.11.1.99_1","DOIUrl":null,"url":null,"abstract":"In this article I discuss how my background as a somatic movement therapist and educator has informed my identity and current work as a higher education (HE) researcher and academic developer, or teacher of HE. I explore what it means to come from a non-traditional home discipline,\n and to work in a non-unified field within academia. How does it impact on academic credibility, and the practical choices of methodology and dissemination? What might a new, less traditional home discipline bring to HE research, and what problems might arise for a researcher wanting to draw\n on less known or regarded methods, practices or theories of research? Within somatic movement and education the ethos of embodiment, that is an awareness of the importance of the body, underlies all theory and practice. Elements of this ethos can also be found across many disciplines within\n academia. HE is a non-unified field that has been described as atheoretical or without an overarching theoretical base. It attracts researchers from a wide variety of disciplinary backgrounds, and yet draws strongly on social science and hard science descriptions of rigour, validity and what\n is considered knowledge and research. In this article I take a reflective and embodied approach to consider how this impacts on issues of credibility working in HE, drawing on conversations with other HE researchers and academic developers, and the consequences and tensions that result.","PeriodicalId":41455,"journal":{"name":"Journal of Dance & Somatic Practices","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Dance & Somatic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/JDSP.11.1.99_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
引用次数: 1
Abstract
In this article I discuss how my background as a somatic movement therapist and educator has informed my identity and current work as a higher education (HE) researcher and academic developer, or teacher of HE. I explore what it means to come from a non-traditional home discipline,
and to work in a non-unified field within academia. How does it impact on academic credibility, and the practical choices of methodology and dissemination? What might a new, less traditional home discipline bring to HE research, and what problems might arise for a researcher wanting to draw
on less known or regarded methods, practices or theories of research? Within somatic movement and education the ethos of embodiment, that is an awareness of the importance of the body, underlies all theory and practice. Elements of this ethos can also be found across many disciplines within
academia. HE is a non-unified field that has been described as atheoretical or without an overarching theoretical base. It attracts researchers from a wide variety of disciplinary backgrounds, and yet draws strongly on social science and hard science descriptions of rigour, validity and what
is considered knowledge and research. In this article I take a reflective and embodied approach to consider how this impacts on issues of credibility working in HE, drawing on conversations with other HE researchers and academic developers, and the consequences and tensions that result.
期刊介绍:
The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.