Response to Graham McPhail, “Too Much Noise in the Classroom? Towards a Praxis of Conceptualization,” Philosophy of Music Education, 26, No. 2 (2018): 176–98.

Patrick K. Freer
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Abstract

“Are you all right, Sir?” asked the head trainer. I was on the treadmill at the gym, reading Graham McPhail’s “Too Much Noise in the Classroom?”1 as I worked up a sweat. Apparently I got so engaged by McPhail’s writing that my heart rate spiked sufficiently to trigger a warning monitor at the front desk. I suspect not many others at the gym would agree that McPhail’s article qualifies as a pulse-racing, spine-tingling thriller. Still, I found the article to be revelatory in its content, scope, and style. In this brief essay, I will provide a few contextual and reflective comments regarding elements of his argument, state why I feel McPhail’s article is important, and describe two examples of how I plan to use his article as a framework for the consideration of philosophical concepts in music education.
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对Graham McPhail的回应,“课堂噪音太大?走向概念化实践”,《音乐教育哲学》,26,第2期(2018):176–98。
“你还好吗,先生?”主教练问道。我在健身房的跑步机上,一边汗流浃背,一边阅读Graham McPhail的《教室里噪音太大?》1。显然,我被McPhail的文章吸引住了,以至于我的心率飙升到足以触发前台的警告监视器。我怀疑健身房里没有多少人会同意麦克菲尔的文章是一部激动人心的惊悚片。尽管如此,我发现这篇文章在内容、范围和风格上都很有启发性。在这篇简短的文章中,我将对他的论点的要素提供一些上下文和反思性的评论,说明为什么我觉得McPhail的文章很重要,并描述两个例子,说明我计划如何利用他的文章作为音乐教育中哲学概念的考虑框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Opening Up to the Unexpected: Reclaiming Emotion and Power in the Public Space of Music Education 中国音乐教育与国际音乐教育 [Chinese Music Education and International Music Education] by Jianhua Guan (review) Music for All or Partisan Advocacy? Exploring Socialized Epistemologies Musik–Vielfalt–Integration–Inklusion: Musikdidaktik für die eine Schule [Music–Diversity–Inclusion–Integration: A New Philosophy of Music Education for an Inclusive School] by Irmgard Merkt (review) Editorial Reflections on Philosophizing in Music Education
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