{"title":"Carolee Schneemann (1939–2019): Portfolio","authors":"K. White, Tess Takahashi","doi":"10.1215/02705346-9052942","DOIUrl":null,"url":null,"abstract":"\n A portfolio of select photographs featuring significant works by Carolee Schneemann, photographs of Schneemann at work, and candid photographs of Schneemann with friends and colleagues. The portfolio complements the preceding essays and illustrations collected in the In Practice dossier dedicated to Schneemann. Several photographs in the portfolio have never before been published.","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMERA OBSCURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/02705346-9052942","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
A portfolio of select photographs featuring significant works by Carolee Schneemann, photographs of Schneemann at work, and candid photographs of Schneemann with friends and colleagues. The portfolio complements the preceding essays and illustrations collected in the In Practice dossier dedicated to Schneemann. Several photographs in the portfolio have never before been published.
期刊介绍：
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.
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