{"title":"¡Ni te me acerques! (Stay Away!) Negotiating Physical Distancing in Hispanophone Corona Fictions","authors":"Julia Obermayr, Yvonne Völkl","doi":"10.54103/2035-7680/19125","DOIUrl":null,"url":null,"abstract":"In March 2020, more than 100 governments around the world imposed partial or full lockdown policies prohibiting people to leave their homes except for activities deemed essential (e.g. procuring food, going to work) to reduce SARS-CoV-2 transmissions. Furthermore, authorities, media and peers encouraged people to adopt physical distancing behaviors, requesting not to touch each other and even keep a distance of at least one to two meters from one another. \nCultural and literary productions—so-called Corona Fictions—represent and process the multitude of ways the population perceived and coped with the lockdown situation during the pandemic and its diverse effects. While literary texts written during confinement and published in anthologies focus on emotional states enhanced by the psychological impact of the lockdown, the narratives in films such as Norberto Ramos del Val’s ¡Ni te me acerques! (2020) focus on negotiating the process of physical distancing itself. \nThis contribution will, thus, look at the representations of physical distancing in written and audiovisual productions from the first lockdown and analyze the similarities therein. From a cultural studies point of view, we are particularly interested in the ways these Corona Fictions negotiate physical distancing, isolation and self-reflection in their narratives of the respective medium.","PeriodicalId":42544,"journal":{"name":"Altre Modernita-Rivista di Studi Letterari e Culturali","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Altre Modernita-Rivista di Studi Letterari e Culturali","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/2035-7680/19125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
In March 2020, more than 100 governments around the world imposed partial or full lockdown policies prohibiting people to leave their homes except for activities deemed essential (e.g. procuring food, going to work) to reduce SARS-CoV-2 transmissions. Furthermore, authorities, media and peers encouraged people to adopt physical distancing behaviors, requesting not to touch each other and even keep a distance of at least one to two meters from one another.
Cultural and literary productions—so-called Corona Fictions—represent and process the multitude of ways the population perceived and coped with the lockdown situation during the pandemic and its diverse effects. While literary texts written during confinement and published in anthologies focus on emotional states enhanced by the psychological impact of the lockdown, the narratives in films such as Norberto Ramos del Val’s ¡Ni te me acerques! (2020) focus on negotiating the process of physical distancing itself.
This contribution will, thus, look at the representations of physical distancing in written and audiovisual productions from the first lockdown and analyze the similarities therein. From a cultural studies point of view, we are particularly interested in the ways these Corona Fictions negotiate physical distancing, isolation and self-reflection in their narratives of the respective medium.
期刊介绍:
Altre Modernità (AM), a six-monthly journal, ISSN 2035-7680, features articles, discussions, interviews, translations, creative works, reviews, and bibliographical information on the cultural production of Modernity. The themes and topics tackled in each issue will take Altre Modernità to areas of the world traditionally perceived as geographically and culturally disparate, aiming at capturing the newness of the cultural paradigms that are taking shape in several places today in order to isolate, subvert, weaken or transcend the monologic discourse of mainstream culture. AM is dedicated to the study of the peripheries of the world and the peripheries of societies that act as vibrant centres of cultural production, with special attention paid to those aspects of his cultural production that offer alternative models, suggestions and tools for overcoming it. The literary discourse still represents - for Altre Modernità - the point of departure and the unavoidable hub collating explorations in contiguous cultural and artistic fields. Altre Modernità is an Open Access journal devoted to the promotion of competent and definitive contributions to literary and cultural studies knowledge. The journal welcomes also works that fall into various disciplines: cultural studies, religion, history, literature, liberal arts, law, political science, computer science and economics that deal with contemporary issues, as listed in AM CfPs. Altre Modernità uses a policy of double-blind blind review (in which both the reviewer and author identities are concealed from the reviewers, and vice versa, throughout the review process) by at least two consultants to evaluate articles accepted for consideration. Altre Modernità promotes special issues on particular topics of special relevance in the cultural debates. Altre Modernità occasionally has opportunities for Guest Editors for special issues of the journal. Altre Modernità publishes at least 2 original issues in a calendar year.