Scenes of Human Control of Reindeer in the Alta Rock Art. An Event of Early Domestication in the far North?

Q1 Arts and Humanities Current Swedish Archaeology Pub Date : 2020-12-14 DOI:10.37718/csa.2020.06
Ingrid Fuglestvedt
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引用次数: 2

Abstract

This article focuses on some evident differences between Phase 1 and Phase 2 rock art at Alta in western Finnmark in northern Norway. The earliest period (Phase 1, 5200–4200 cal BC) of rock art production shows numerous scenes in which humans seem to take control of wild game. The compositions of corrals with reindeer inside may be indications of forms of early domestication suggested to have occurred within a context marked by the authority of successful hunters and the influence of emerging inequality. This element of control correlates with an apparent totemic influence in the expressions of rock art. The rock art produced in the succeeding period (Phase 2, 4200-3000 cal BC), however, entirely lacks scenes communicating control of reindeer. This article suggests that this selective absence is an expression of a regained egalitarian social form and a reappraisal of an original animism.
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阿尔塔岩画中人类控制驯鹿的场景。遥远北方的早期驯化事件?
本文着重探讨了挪威北部芬马克西部阿尔塔第一期和第二期岩石艺术的一些明显差异。摇滚艺术制作的最早时期(公元前5200年至4200年)展示了许多人类似乎控制野生动物的场景。内部有驯鹿的畜栏的组成可能表明,早期驯化的形式被认为是在成功猎人的权威和新出现的不平等影响的背景下发生的。这种控制元素与岩石艺术表现中明显的图腾影响有关。然而,在随后的时期(公元前4200-3000年第二阶段)产生的岩石艺术完全缺乏传达驯鹿控制的场景。这篇文章认为,这种选择性的缺席是一种重新获得的平等主义社会形式的表现,也是对原始万物有灵论的重新评估。
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来源期刊
Current Swedish Archaeology
Current Swedish Archaeology Arts and Humanities-Archeology (arts and humanities)
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1.20
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