{"title":"Masquerading Africa in the Carnival of Salvador, Bahia, Brazil 1895–1905","authors":"Kim D. Butler","doi":"10.1080/17528631.2016.1189690","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines the ways in which black carnival clubs in Salvador, Bahia strategically used African themes and representations to negotiate social, political, and cultural space just after abolition in Brazil, which also coincided with the first years of the Republic. Contemporary newspaper accounts reveal a distinctly Bahian perspective on emerging black cosmopolitanism and pan-Africanism that deepens our understanding of this era in African diaspora history. The pioneer clubs Embaixada Africana (African Embassy) and the Pândegos da África (African Merrymakers) referenced high African civilization, royalty, and divinity in their themes at a time when Africans were being stereotyped as backwards and antithetical to national progress. In so doing, their carnival masquerades became a form of political speech and cultural contestation that was formally banned in 1905, but which laid the foundation for Afro-Bahian carnival expressions for the rest of the twentieth century.","PeriodicalId":39013,"journal":{"name":"African and Black Diaspora","volume":"10 1","pages":"203 - 227"},"PeriodicalIF":0.0000,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17528631.2016.1189690","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"African and Black Diaspora","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17528631.2016.1189690","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 3
Abstract
ABSTRACT This article examines the ways in which black carnival clubs in Salvador, Bahia strategically used African themes and representations to negotiate social, political, and cultural space just after abolition in Brazil, which also coincided with the first years of the Republic. Contemporary newspaper accounts reveal a distinctly Bahian perspective on emerging black cosmopolitanism and pan-Africanism that deepens our understanding of this era in African diaspora history. The pioneer clubs Embaixada Africana (African Embassy) and the Pândegos da África (African Merrymakers) referenced high African civilization, royalty, and divinity in their themes at a time when Africans were being stereotyped as backwards and antithetical to national progress. In so doing, their carnival masquerades became a form of political speech and cultural contestation that was formally banned in 1905, but which laid the foundation for Afro-Bahian carnival expressions for the rest of the twentieth century.
本文考察了巴伊亚州萨尔瓦多的黑人狂欢节俱乐部在巴西废除奴隶制后战略性地利用非洲主题和代表来谈判社会、政治和文化空间的方式,这也与共和国的第一年相一致。当代报纸的报道揭示了对新兴黑人世界主义和泛非主义的独特巴伊亚观点,加深了我们对非洲侨民历史上这个时代的理解。先锋俱乐部Embaixada Africana(非洲大使馆)和p ndegos da África(非洲欢乐制造者)在他们的主题中提到了高度的非洲文明、皇室和神性,当时非洲人被视为落后和与国家进步相对的。在此过程中,他们的狂欢节假面舞会成为一种政治言论和文化辩论的形式,在1905年被正式禁止,但这为20世纪其余时间的非裔巴伊亚狂欢节表达奠定了基础。