Dyarchs in color

IF 0.7 2区 历史学 0 ARCHAEOLOGY Journal of Roman Archaeology Pub Date : 2022-12-01 DOI:10.1017/S104775942200054X
A. Chen
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Abstract

Since the first widespread indications that extensive remains of a ca. 50 m length of monumental painted marble frieze from a 3rd-c. state monument had come to light in the Çukurbaǧ neighborhood of Izmit, Turkey (ancient Nicomedia), the Late Antique and Roman art communities have eagerly awaited the publication of the present volume. Written by the director of the TÜBİTAK Çukurbaǧ Archaeological Project, the book is the first full publication of the impressive frieze, which is the only extant imperial monument to preserve extensive remains of applied polychromy. As the foundational synthesizing publication for a monument that will undoubtedly become one of the touchstones in discussions of Roman art, the book’s plentiful high-quality color photographs and expert architectural and iconographic contextualization do not disappoint. But beyond its utility as a reference volume, it also provides an important exemplar for how other fragmentary monuments with similarly visually rich sculptural content could be productively reconsidered with the integration of evidence in multiple media and close attention to sculptural elements beyond iconography.
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彩色Dyarchs
自第一次广泛的迹象表明,大量的遗骸约50米长,巨大的彩绘大理石frieze来自公元3世纪。国家纪念碑在土耳其伊兹米特(古代尼科米迪亚)的Çukurbaǧ附近曝光,晚期古董和罗马艺术界急切地等待着本卷的出版。这本书由TÜBİTAK Çukurbaǧ考古项目主任撰写,是首次全面出版令人印象深刻的frieze,这是唯一现存的保存大量应用多色遗迹的帝国纪念碑。作为一本纪念碑的基础综合出版物,这本书无疑将成为讨论罗马艺术的试金石之一,书中丰富的高质量彩色照片和专家的建筑和肖像语境化不会让人失望。但是,除了作为参考卷的效用之外,它还提供了一个重要的范例,说明如何通过多种媒体的证据整合和对雕塑元素的密切关注,有效地重新考虑其他具有类似视觉丰富雕塑内容的碎片性纪念碑。
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来源期刊
CiteScore
0.60
自引率
28.60%
发文量
43
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