Televising the Partition of British India

IF 0.4 Q4 COMMUNICATION Media History Pub Date : 2021-07-29 DOI:10.1080/13688804.2021.1958672
Clelia Clini, J. Hornabrook, Emily Keightley
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Abstract

2017 marked the 70th anniversary of the end of colonial rule in British India and of the division of the country into the two independent states of India and Pakistan. To commemorate the event, in August 2017, the BBC broadcast a series of programmes focused specifically on Partition. Focusing on My Family, Partition and Me: India 1947, this article analyses the programme’s structure and rhetorical strategies, with particular reference to its representation of the empire and of contemporary postcolonial Britain. We argue that the show, by merging personal and national histories, successfully promotes an inclusive perspective on Britishness, in line with the BBC’s inclusivity remit, which also emphasises the multicultural character of Britain as a result of its colonial history. The emphasis on individualised account of suffering and resilience, however, leaves Partition circumscribed within the ‘temporary madness’ narrative, thus limiting the show’s engagement with the politics of colonialism and decolonisation.
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英属印度分治的电视转播
2017年是英属印度结束殖民统治、分裂为印度和巴基斯坦两个独立国家70周年。为了纪念这一事件,2017年8月,英国广播公司播出了一系列专门针对分治的节目。本文以《我的家庭、分治和我:印度1947》为重点,分析了该节目的结构和修辞策略,特别提到了它对帝国和当代后殖民英国的代表。我们认为,该节目通过融合个人和国家的历史,成功地促进了对英国性的包容视角,这符合BBC的包容性职责,也强调了英国因其殖民历史而具有的多元文化特征。然而,强调对苦难和韧性的个性化描述,使《分区》局限在“暂时的疯狂”叙事中,从而限制了该展览与殖民主义和去殖民化政治的接触。
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来源期刊
Media History
Media History COMMUNICATION-
CiteScore
1.00
自引率
25.00%
发文量
28
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