Chiny wyobrażone – Chiny ucieleśnione. Państwo Środka w polskich i serbskich relacjach z podróży (od XVIII do połowy XX wieku)

Karolina Galewska
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Abstract

The article presents an overview of the issues discussed in Tomasz Ewertowski’s monograph Images of China in Polish and Serbian Travel Writings (1720–1949). It reconstructs the discourse that emerges from the journals as their authors report on their journeys to the Middle Kingdom. The article also analyses the conditioning of the presented attitudes in the context of individual experience. Using imagology-based tools, Ewertowski refers to the mental representations of reality recorded in the text in the form of stereotypically formed ethnotypes. Ewertowski creates a mosaic of the way travellers from the West imagined both Chinese cities and the characteristic features of Far Eastern culture, which is often marked by Eurocentrism and an evaluating attitude towards the Other.
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本文概述了托马什·埃韦托斯基的专著《波兰和塞尔维亚游记中的中国形象》(1720-1949)中所讨论的问题。它重建了这些期刊作者在报告他们的中国之旅时出现的话语。文章还分析了在个体经验背景下所呈现的态度的条件作用。Ewertowski使用基于图像学的工具,将现实的心理表征以刻板印象形成的民族类型的形式记录在文本中。Ewertowski描绘了西方旅行者对中国城市和远东文化特征的想象,这些文化通常以欧洲中心主义和对他者的评价态度为标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poznanskie Studia Polonistyczne Seria Literacka
Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory
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发文量
17
审稿时长
14 weeks
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Podróże z Hanną Szumańską-Grossową „Dobra reprodukcja obrazów”. „Dzieło” Émile’a Zoli w przekładach Aleksandry Callierowej i Hanny Szumańskiej-Grossowej Angielskie strofy i polska lutnia. O przekładach „Melodii hebrajskich” George’a Gordona Byrona pióra Antoniego Edwarda Odyńca Światopogląd jako styl. „Klucze Piotrowe” Rogera Peyrefitte’a w przekładzie Hanny Szumańskiej-Grossowej jako ogniwo tradycji Hanna Szumańska-Grossowa wspomina Konstantego Ildefonsa Gałczyńskiego
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