Of seals and siblings: Teresa/Matilda (d. 1218), queen of Portugal and countess of Flanders

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Journal of Medieval Iberian Studies Pub Date : 2020-09-01 DOI:10.1080/17546559.2020.1805120
J. Jasperse
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引用次数: 4

Abstract

ABSTRACT The present article demonstrates that material culture offers medievalists an often untapped primary source, in this case the seals of Matilda of Flanders (d. 1218). Born Teresa of Portugal, she was the daughter of King Afonso Henriques of Portugal and Queen Mafalda of Savoy; as wife, then widow of Count Philip of Flanders, Matilda issued two double-sided seal types. By foregrounding the material traces connected with the countess, an unexpected picture unfolds of a self-conscious royal heiress and staunch promotor of her natal family. Here it is shown that Matilda's seals share signifying elements with those of her royal siblings Sancho and Urraca, arguing that her seal was part of an explicit statement of familial connections. This visual declaration reveals a previously unrecognized chapter of the countess’ history, in which she asserted her place within the Portuguese dynasty from her new lands in the County of Flanders.
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印章和兄弟姐妹:特蕾莎/玛蒂尔达(生于1218年),葡萄牙女王和弗兰德斯伯爵夫人
摘要本文表明,物质文化为中世纪主义者提供了一个经常未被开发的主要来源,在本例中是佛兰德斯的玛蒂尔达(公元1218年)的印章。她出生于葡萄牙的特蕾莎,是葡萄牙国王阿丰索·亨里克斯和萨伏依女王玛法尔达的女儿;作为妻子,当时是法兰德斯伯爵菲利普的遗孀,玛蒂尔达发行了两种双面印章。通过突出与伯爵夫人有关的物质痕迹,一幅意想不到的画面展现了一位自觉的王室继承人和她出生家庭的坚定推动者。在这里,玛蒂尔达的印章与她的皇室兄弟姐妹桑乔和乌拉卡的印章有着共同的象征元素,认为她的印章是家族关系的明确陈述的一部分。这一视觉宣言揭示了伯爵夫人历史上一个以前未被承认的篇章,在这一篇章中,她从法兰德斯郡的新土地上确立了自己在葡萄牙王朝中的地位。
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来源期刊
Journal of Medieval Iberian Studies
Journal of Medieval Iberian Studies MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
1.20
自引率
20.00%
发文量
24
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