Who Am I?: Re-envisioning the question of Muslim identity in Tariq Ali’s The Stone Woman and A Sultan in Palermo

Q4 Arts and Humanities Ars Aeterna Pub Date : 2022-12-01 DOI:10.2478/aa-2022-0010
Zakir Hussain, B. Mishra
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Abstract

Abstract This article examines Tariq Ali’s novels The Stone Woman (2000) and A Sultan in Palermo (2005) to critique the question of identity discourse by drawing inspiration from various cultures rooted in a distinctively Islamic landscape and culture. Muslim identity, like any other, is separately constructed and determined by language, religion, sect, and various other roles. It examines the creation of Muslim identity and strives to comprehend the segregation they have demonstrated in the postcolonial context. This identity discourse emerged in colonial discursive practices that positioned Muslims as “Other” under colonial rule. This paper draws upon theoretical concepts of postcolonial theory to challenge the stereotypical representation of Islam often circulated in Eurocentric discourses. We do this by focusing on Tariq Ali’s ways of constructing Muslim identities through fictional representations. Through this discussion, we critique stereotypical tropes evident in Eurocentric discourses, which too often conflate professions of Muslim identity with religious fundamentalism.
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我是谁?在Tariq Ali的《石头女人》和《巴勒莫的苏丹》中重新审视穆斯林身份问题
本文考察了塔里克·阿里的小说《石头女人》(2000)和《巴勒莫的苏丹》(2005),从植根于独特的伊斯兰景观和文化的各种文化中汲取灵感,对身份话语问题进行了批判。穆斯林的身份和其他身份一样,是由语言、宗教、教派和其他各种角色分别构建和决定的。它考察了穆斯林身份的形成,并努力理解他们在后殖民背景下所表现出来的种族隔离。这种身份话语出现在殖民话语实践中,将穆斯林定位为殖民统治下的“他者”。本文利用后殖民理论的理论概念来挑战欧洲中心话语中经常流传的对伊斯兰教的刻板印象。我们通过关注塔里克·阿里通过虚构的表现构建穆斯林身份的方式来做到这一点。通过这一讨论,我们批判了欧洲中心话语中明显的刻板印象,这些话语经常将穆斯林身份的职业与宗教原教旨主义混为一谈。
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来源期刊
Ars Aeterna
Ars Aeterna Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
6
期刊介绍: The multidisciplinary journal focused on the questions of art and its importance in the contemporary world for the development of culture, mutual understanding, and the human Self.
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