{"title":"Rappers, Rajas, and Borderless Spaces","authors":"M. Mora","doi":"10.1080/13639811.2020.1729536","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines the complex cultural identities of the newly formed Indonesian province of Kepri through an examination of a rap rendition of the revered poetry of the region’s most esteemed son, Raja Ali Haji (1808–1873). This rendition, ‘Gurindam dua belas’, by the Jogja Hip Hop Foundation was designed to inculcate an awareness of Malayness amongst the youth of Kepri and the Malay world more generally. The article examines how local popular music is created in a situation where entangled allegiances to global, national and local cultural identities are characteristic of the ‘borderless’ space that has resulted from the formation of the ‘Growth Triangle’.","PeriodicalId":44721,"journal":{"name":"Indonesia and the Malay World","volume":"48 1","pages":"190 - 205"},"PeriodicalIF":0.7000,"publicationDate":"2020-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13639811.2020.1729536","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indonesia and the Malay World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13639811.2020.1729536","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This article examines the complex cultural identities of the newly formed Indonesian province of Kepri through an examination of a rap rendition of the revered poetry of the region’s most esteemed son, Raja Ali Haji (1808–1873). This rendition, ‘Gurindam dua belas’, by the Jogja Hip Hop Foundation was designed to inculcate an awareness of Malayness amongst the youth of Kepri and the Malay world more generally. The article examines how local popular music is created in a situation where entangled allegiances to global, national and local cultural identities are characteristic of the ‘borderless’ space that has resulted from the formation of the ‘Growth Triangle’.
摘要本文通过对该地区最受尊敬的儿子拉贾·阿里·哈吉（1808-1873）的诗歌的说唱表演，探讨了新成立的印尼凯普里省复杂的文化身份。Jogja嘻哈基金会的这首名为“Gurindam dua belas”的歌曲旨在向Kepri和整个马来世界的年轻人灌输马来人的意识。这篇文章探讨了在“增长三角”形成的“无边界”空间中，对全球、国家和地方文化身份的纠缠忠诚是如何创造出当地流行音乐的。
期刊介绍：
Indonesia and the Malay World is a peer-reviewed journal that is committed to the publication of scholarship in the arts and humanities on maritime Southeast Asia. It particularly focuses on the study of the languages, literatures, art, archaeology, history, religion, anthropology, performing arts, cinema and tourism of the region. In addition to welcoming individual articles, it also publishes special issues focusing on a particular theme or region. The journal is published three times a year, in March, July, and November.
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