COVID-19 and Online Fundraising: Seeing the Pandemic on Social Media

A. Zakky, A. Rifani
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Abstract

Coronavirus disease (COVID-19) which first appeared at the end of 2019 has become a pandemic and instantly changed the way people interact. Not only because this virus has claimed many victims, but also because of policies to limit physical activity. These conditions have contributed to the emergence of solidarity in the form of online fundraising in society. Therefore, this research, intends to look at two online fundraisings;first, which was initiated by the People's Consultative Assembly of the Republic of Indonesia (MPR RI), and second, which was initiated by Narasi Tv. In addition, this research looks at fundraising within the framework of a theatrical event which consists of various elements, tries to unveil the ideology that operates behind the events, and describes the audience's response as a result of their interpreting process towards the online fundraisings. Since the phenomenon being analyzed is online activity, this research uses netnography as a method to observe textual communication and multimedia communication which is the data in this research. The researchers argue that these two-fundraising had different characteristics of initiator, stage, and actor, so that each had different ideological implications as well. The different characteristics also produce different responses as the interpretation of the audience. Copyright © 2022 by Cherkas Global University.
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新冠肺炎与在线筹款:在社交媒体上看到疫情
2019年底首次出现的冠状病毒疾病(新冠肺炎)已成为一种流行病,并立即改变了人们的互动方式。不仅因为这种病毒夺走了许多受害者的生命,还因为限制体力活动的政策。这些条件促成了社会上以在线筹款形式出现的团结。因此,本次研究,意在考察两次网上筹款;第一,由印度尼西亚共和国人民协商会议发起,第二,由Narasi Tv发起。此外,本研究着眼于在由各种元素组成的戏剧活动框架内的筹款,试图揭示活动背后的意识形态,并描述了观众对在线筹款的解释过程所产生的反应。由于被分析的现象是网络活动,本研究使用网络图作为一种方法来观察文本通信和多媒体通信,这是本研究的数据。研究人员认为,这两次筹款具有不同的发起人、舞台和参与者特征,因此每一次筹款都有不同的意识形态含义。不同的特点也会产生不同的反应作为观众的解读。版权所有©2022切尔卡斯全球大学。
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24
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