{"title":"Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy","authors":"Brian D’Aquino, Oana Pârvan","doi":"10.1558/jwpm.43084","DOIUrl":null,"url":null,"abstract":"Based on a first-hand account of the SSO#5 event, the authors discuss the challenges of grounding the organization of an international academic event in the local environment of Naples, a Southern Italy city with a strong sound system tradition. An ethnographic account of the Italian and Naples scene, including interviews with local sound system pioneers, will provide the context. The overarching intention animating the planning of the event was to acknowledge the way academic research can interact with local and global grassroots music movements in a transformative way, establishing connections, nurturing skills and promoting mutual recognition. More specifically, the event was aimed at amplifying the value of the already-existing scene, turning up the self-confidence of its practitioners and boosting the acknowledgement of sound system practice as an academic research field. This was achieved through the active involvement of local practitioners and activists in the conception of the event, to achieve the mutual trust and respect between participants from different backgrounds, which made the event itself a form of practice-as-research in terms of adding to an ongoing learning process.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jwpm.43084","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
Based on a first-hand account of the SSO#5 event, the authors discuss the challenges of grounding the organization of an international academic event in the local environment of Naples, a Southern Italy city with a strong sound system tradition. An ethnographic account of the Italian and Naples scene, including interviews with local sound system pioneers, will provide the context. The overarching intention animating the planning of the event was to acknowledge the way academic research can interact with local and global grassroots music movements in a transformative way, establishing connections, nurturing skills and promoting mutual recognition. More specifically, the event was aimed at amplifying the value of the already-existing scene, turning up the self-confidence of its practitioners and boosting the acknowledgement of sound system practice as an academic research field. This was achieved through the active involvement of local practitioners and activists in the conception of the event, to achieve the mutual trust and respect between participants from different backgrounds, which made the event itself a form of practice-as-research in terms of adding to an ongoing learning process.
期刊介绍:
Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.