Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy

IF 0.2 0 MUSIC Journal of World Popular Music Pub Date : 2021-06-23 DOI:10.1558/jwpm.43084
Brian D’Aquino, Oana Pârvan
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引用次数: 1

Abstract

Based on a first-hand account of the SSO#5 event, the authors discuss the challenges of grounding the organization of an international academic event in the local environment of Naples, a Southern Italy city with a strong sound system tradition. An ethnographic account of the Italian and Naples scene, including interviews with local sound system pioneers, will provide the context. The overarching intention animating the planning of the event was to acknowledge the way academic research can interact with local and global grassroots music movements in a transformative way, establishing connections, nurturing skills and promoting mutual recognition. More specifically, the event was aimed at amplifying the value of the already-existing scene, turning up the self-confidence of its practitioners and boosting the acknowledgement of sound system practice as an academic research field. This was achieved through the active involvement of local practitioners and activists in the conception of the event, to achieve the mutual trust and respect between participants from different backgrounds, which made the event itself a form of practice-as-research in terms of adding to an ongoing learning process.
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通过实践和研究扩大街头知识:意大利那不勒斯的音响系统Outernal#5
基于对SSO#5事件的第一手记录,作者讨论了在那不勒斯这个拥有强大音响系统传统的意大利南部城市的当地环境中组织国际学术活动所面临的挑战。对意大利和那不勒斯场景的民族志描述,包括对当地音响系统先驱的采访,将提供背景。活动策划的总体意图是承认学术研究可以以一种变革的方式与当地和全球基层音乐运动互动,建立联系,培养技能并促进相互认可。更具体地说,该活动旨在扩大现有场景的价值,提高从业者的自信心,并促进对声音系统实践作为学术研究领域的认可。这是通过当地从业者和活动家积极参与活动的概念来实现的,以实现来自不同背景的参与者之间的相互信任和尊重,这使得活动本身成为一种实践作为研究的形式,增加了持续的学习过程。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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