Negotiating the Hyphens in a Culture of Surveillance: Embodied Surveillance and the Representation of Muslim Adolescence in Anglophone YA Fiction

Pub Date : 2020-06-01 DOI:10.1353/jeu.2020.0007
Lizzie White
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Abstract

Abstract:In the era defined by the war on terror, border security, and increased Western cultural anxiety, the discourses of politics, race, and gender influence the representation of non-normative bodies, notably in the signification of female Muslim adolescent bodies as sites of political, racial, and cultural contestation within a culture of surveillance. Mirroring Western society, Anglophone YA fiction typically privileges white normative portrayals of Western adolescence. Fostered in a culture of suspicion, the revitalized orientalist tropes depict Muslim adolescent girls as bodies to “save,” “fear,” and “Westernize.” An emerging group of YA novels presents a substantive challenge to this tradition by seeking to disrupt patriarchal, white normative conceptualizations of Western adolescence. Through an analysis of Randa Abdel-Fattah’s When Michael Met Mina and S. K. Ali’s Saints and Misfits, this article explores the ways in which the female Muslim adolescent body is constructed as a product of surveillance, problematizing the experiences of embodied surveillance and the complexities of being identified as a part of racialized surveillant assemblages.
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监控文化中的连字符协商:英语国家青少年小说中体现的监控与穆斯林青少年的表现
摘要:在反恐战争、边境安全和西方文化焦虑加剧的时代,政治、种族和性别的话语影响了非规范性身体的表现,尤其是穆斯林青少年女性身体在监视文化中作为政治、种族、文化争论场所的意义。反映西方社会,讲英语的YA小说通常优先考虑白人对西方青春期的规范性描绘。在一种怀疑的文化中,复兴的东方主义比喻将穆斯林少女描绘成“拯救”、“恐惧”和“西方化”的身体。一组新兴的YA小说试图打破西方青春期的父权制、白人规范概念,对这一传统提出了实质性挑战。本文通过对Randa Abdel Fattah的《当Michael Met Mina》和s.K.Ali的《圣徒与错位》的分析,探讨了穆斯林女性青少年身体作为监视产物的构建方式,对具体监视的体验和被认定为种族化监视者组合一部分的复杂性提出了问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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