Make It Nasty: Black Women's Sexual Anthems and the Evolution of the Erotic Stage

A. Cunningham
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引用次数: 5

Abstract

abstract:This paper discursively examines the interplay between explicit, sexually narrative hip-hop music and Black women's erotic cultural production in material and digital spaces. In drawing on Black feminist thought and hip-hop studies, this research wrestles with the consumption of Black women's erotic performance in the United States through the controversy of Nicki Minaj's Madame Tussauds wax figure. The essay forwards a century-long genealogy that centers racialized fantasy and erotic stages as central to Black erotic performance. Finally, it posits Black women's centrality to erotic cultural production as a significant, pedagogical challenge to the ways erotic labor emerges in popular discourse.
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让它肮脏:黑人女性的性颂歌和情色阶段的演变
本文论述了在物质和数字空间中,明确的、性叙事的嘻哈音乐与黑人女性的情色文化生产之间的相互作用。在借鉴黑人女权主义思想和嘻哈研究的基础上,本研究通过Nicki Minaj的杜莎夫人蜡像的争议来探讨美国黑人女性色情表演的消费。这篇文章提出了一个长达一个世纪的谱系,以种族化的幻想和情色阶段为中心,作为黑人情色表演的中心。最后,它将黑人女性在情色文化生产中的中心地位作为对情色劳动在大众话语中出现方式的重大教育挑战。
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